MEPHISTOPHEILIA: Alternatively called MEPHIISTOPHINA; She is a very powerful Spirit of Mercurial nature whose Feminine quintessence is of all the spheres combined but more so of the sphere of Jupiter; she always requires her contract to be signed in copious amounts of sperm to milk from her Master's hardened balls she to pump as a Night-Gaunt born fellatio Succubus after which she to thence totally serve him as his most Loving Sex Slave and ever obedient and loyal Familiar Spirit. Her first approach after Evoking her is that of Three loud knocks at ones door via a vivid Lucid Dream to thence appear as a dark looking Girl of a ravishing beauty whose most salacious wiles must be fulfilled otherwise she will become entirely enraged to cause no end of most destructive Poltergeist havoc. She sometimes manifests at first in animal form such as that of a Raven or a Black Bitch of a Dog to assume the guise of a Nun or a Schoolgirl at times, but most often than not to appear as a sensually sophisticated young woman whom is sometimes dressed like a Secretary or a female Chauffer driving a large black limousine. Whatever is asked of her she will manifest speedily, but one must beware of what one wishes for to consider carefully ones desires she to fulfil. She will only fulfil her Master’s desires after she has fed upon her Master’s issue of spurting seed, which she ever hungers for as a most wanton Succubus. She is versed in all matters of Philosophy, Science and other arcane subjects and Magickal Arts; her knowledge is unbounded whom can divine the Past, Present and Future to also influence otherwise of outcomes at her Master’s beckoning. She can carry her Master to any location in an instant whether they are of this World or others to know. She has many other subordinate Spirits under her care via whose myriad number of Legions she fulfils all her Master’s desires. 

FAUST'S SUCCUBUS MUSE OF ARCANE DELIGHTS MOST SUBLIME

Mephistopheles (also Mephistophilus, Mephistophilis, Mephostopheles, Mephisto and other variants) is usually considered of indoctrinated perspective to be one of the seven Princes of Hell. Mephistopheles is not listed in the classical Goetia whose origin is derived from literature and ensuing stage plays as the title of a Daemon who was featured in the Faust legend; however, one to find Faustian inspired Grimoires, which list a smattering of Goetic Spirits along with Mephistopheles. The Spirit has since appeared in numerous other works as a stock character version of the Devil throughout popular culture whereby becoming an Archetypal character who has thereby been Evoked as a Spirit in Occult practice.

Mephistopheles is primarily associated with the Faust legend, which concerns an elderly worn out Scholar who is no doubt versed in the Goetia whom wagers his Soul against the Devil in order to make him desire to live again with youthful vigour, even for a moment, whose tale is said to be based upon the historical Johann Georg Faust. However in this case one has the Succubus Mephistopheilia whose orientation is very much that of aiding her Master’s ailing desire to live a life of youthful vigour and more besides and in turn to take him down the Rabbit hole into Wonderland.

One also has many Faustian similarities of archetypal influence with Hermann Hesse's Surrealist masterpiece written in 1927 entitled 'Steppenwolf' (orig. German Der Steppenwolf) is the tenth novel by German-Swiss author Hermann Hesse. Originally published in Germany in 1927, it was first translated into English in 1929. Combining autobiographical and fantastic elements, the novel was named after the lonesome Wolf of the Steppes. The story in large part reflects a profound crisis in Hesse's spiritual world in the 1920s while memorably portraying the protagonist's split between his humanity, and his Wolf-like aggression and homelessness. The novel became an international success, although Hesse would later claim that the book was largely misunderstood. In 1924 Hermann Hesse remarried wedding singer Ruth Wenger. After several weeks however, he left Basel, only returning near the end of the year. Upon his return he rented a separate apartment, adding to his isolation. After a short trip to Germany with Wenger, Hesse stopped seeing her almost completely. The resulting feeling of isolation and inability to make lasting contact with the outside world, led to increasing despair and thoughts of suicide. Hesse began writing Steppenwolf in Basel, and finished it in Zürich. In 1926, Hesse wrote a precursor to Steppenwolf, which were a collection of published poems entitled The Crisis. It is this type of crisis, which Faust is enduring whereby he ends up conjuring up Mephistopheles while Herman Hesse's principal character of a Steppenwolf, going by the name of Harry Haller is guided by a female Muse called Hermine, hence one can fuse the two together as the Succubus Mephistotphelia.

The name Mephistopheles can also be found in the late 16th century Faust chapbooks. In the 1725 version which was read by Goethe, Mephostophiles is a Devil whom appears in the form of a ‘Greyfriar,’ whereupon Mephistopheilia sometimes appears dressed as a Nun. Mephistopheles is said to have been summoned by Faust in a wood outside Wittenberg, which gives one an insight into how to Evoke Mephistopheilia. The name Mephistophiles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick, which one can evolve otherwise beyond ingrained tradition for the Magickal Arts are not static to hence transform creatively. In the book Steppenwolf the female character of Hermine, likened somewhat to a Succubus, leads Harry Haller into a Magic Theatre via which he accesses alternative past possibilities as well as alternate worlds wherein one has the realm of Lucid Dreams and Out-Of-Body-Experiences; for the Magic Theatre represents the domain of the Dream.

The film director Terry Gilliam appears to have fused the Magic Theatre of Steppenwolf with the Faust myth to update of modern version in his Surreal film The Imaginarium of Doctor Parnassus, which involves a travelling Theatre run by a Faustian Doctor Parnassus whose Theatre of an Imaginarium allows people to access imaginary Dream worlds just as real if not more real than ordinary reality.

Should one desire to go beyond what has been established of ingrained dogmatic perception one can look to the Consecration of Faustina, whose Latin name is the feminine version of Faust; the Consecration depicts the Roman Empress Faustina being carried away to dwell with the Gods and Goddesses of Pagan Rome by the Goddess 'DIANA LVCIFERA;' Diana Lucifera was later transformed into a Male entity by the Christian’s to transform into their Fallen Angel Lucifer, whereby the Faust legend probably refers to Faustina being carried away by Diana Lucifera who is also ones Mephistopheles whereby one has a possible Lesbian slant on the whole tale to tell of imaginative reinterpretation should one be so inclined of Symbolic Rebellion. 

There were two Faustina’s, mother and daughter, Faustina senior and Faustina junior, in the second century CE. Faustian senior was the wife of Emperor Antoninus, whose last name was Pius. Her daughter, Faustina junior, was the wife of Emperor Marcus Aurelus. Marcus Aurelus was the successor and adopted son of Antoninus Pius. Both Faustina senior and Faustina junior were deified by their husbands after their deaths. Faustina (senior or junior), was dedicated to Diana Lucifera, who was the crone aspect of (Ancient Greek: Artemis) Diana; the two Faustinas pretty much ruled the Roman Empire in their husbands' names.

The early Faust chapbook, while already in circulation in Northern Germany, eventually found its way to England, where in 1592 an English translation was published, 'The Historie of the Damnable Life, and Deserved Death of Doctor Iohn Faustus' credited to a certain "P. F., Gentleman". Christopher Marlowe used this work as the basis for his more ambitious play, The Tragical History of Doctor Faustus (published c. 1604) whose work has become highly influential amidst the Scholars out of Oxford and Cambridge to have thereby influenced popular culture up to the present day. Marlowe also borrowed from John Foxe's Book of Martyrs, on the exchanges between Pope Adrian and a rival Pope. Another possible inspiration of Marlowe's version is the Magician Dr John Dee (1527–1609), who practised Alchemy and Science whom developed the Enochian Magickal system, which influenced the later Patriarchal Judaeo-Christian Gnostic Magickal order of the Golden Dawn and Kabbalistic Faustian Aleister Crowley.

A contemporary of Aleister Crowley was the Sorcerer Artist Austin Osman Spare who was very much of a Faustian character for he was a Steppenwolf outsider of the Occult mainstream who had torn him self away from the Art establishment amidst which he was prior perceived as an Artistic genius. Spare's Art work was very Shamanistic of orientation, which was often wrought while he was in a self induced Hypnagogic Trance state. For him, his Art was not two-dimensional, they were living multidimensional realities within his mind's eye of an Imaginarium. Spare was primarily guided by the feminine principle of an inspiring Succubus Muse whom he perceived as being the Primitive Woman lying upon the parapet of forever, hence she was his ever Erotic Anima of Subconscious source birthing his creativity; one can thereby see the Primitive Woman as Spare's conjured up Succubus of a Mephistophelia.

In Marlowe’s play of Doctor Faustus, Mephistopheles acts as a guide to Faustus. Mephistopheles is not only a speaker for the Devil, but he is even seen as a possible lover to the principle character like that of the relationship between Aleister Crowley and his Holy-Guardian-Angel Aiwass. In the play, Faustus asks Mephistopheles for a wife and, when he returns, the woman is just a Devil in disguise as a woman. According to Hammill:

“The wife that (Mephistopheles) brings demonstrates that marriage is not a signifier that can stabilize the gender. The play... instead replaces this wife with a series of courtesans in an economy of homosocial exchange.” (Hammill, Graham L. "Faustus's Fortunes: Commodification, Exchange, and the Form of Literary Subjectivity." English Literary History 63 (1996): 324-329. Project MUSE.)
 
However, most of the medieval Grimoires primarily listed Male spirits, such as in the classical Goetia for example and what few Female spirits are mentioned if at all are described as being actually Male whereby that of a common theme. For example Crowley even stated that the Goetic Spirits he had Evoked were primarily Male even when they had in a few cases assumed Female form, but then his orientation was in the main traditionally inclined for he had assumed the guise of the Great-Beast out of the Patriarchal Book of Revelations. Hammill also explains that Mephistopheles brings Faustus a wife who is not actually a woman because he wants to bring up sexual tension between Faustus and himself. Hammill’s article describes the conversation between the two characters during this scene as “barely legible as male friendship”. The article goes on to explain that the conversation is no longer considered to be friendly because the women whom they are discussing appear to have very Masculine features. This is entirely possible since Marlowe was Homosexual.

Orgel argues that “Marlowe's poetic imagination was essentially Homosexual,” (Orgel, Stephen. "Tobacco and Boys: How Queer Was Marlowe?" Journal of Lesbian and Gay Studies 6 (2000): 555-76. Project MUSE.) whereby one can then gain an insight into why so many of the Medieval Grimoires list all Male Demons and Angels, which in essence fed into the Patriarchal inclined Homosexual fantasies of their respective Scholarly authors, hence the Feminine principle was in the main entirely lacking. One merely has to look at Diana Lucifera being transformed into a Male for John Milton let alone William Blake to later adore without them realising Lucifer was originally Female; this patriarchal emphasis permeates the Western Occult tradition at all levels of ingrained tradition, which has become that of a most persistent viral Meme whereupon Mephistopheilia ‘Rebels’ against its all pervasive influence; well, what does one expect, she is a Fallen Angel at the end of the day whom was cast out of a Patriarchal conception of Heaven for the Tobacco Boys.

POPE GERBERT AND HIS MOST WANTON SUCCUBUS

There is a story, which has a Faustian edge to it concerning a Succubus, which was related by Walter Mapes in his De Nugis Curialium [Courtier's Trifles] (approx 1185) about Gerbert of Aurillac, who became Pope Sylvester II (999-1003). As a virile young man, Gerbert fell in love with the buxom daughter of the Provost of Rheims; however she rejected his over the top romantic advances for his wallet was not big enough; whereby he entered into the purgatory of the forlorn in his despair. While despairing over his broken heart, which had been pierced wide open by rejection he eventually met a beautiful maiden via a Lucid Dream named Meridiana who offered him hot Sex, in depth Magical Knowledge, and mountains of golden coin if he would only stay faithful to her. He of course agreed, being the Jack the lad he was, whereby he rapidly prospered to eventually become the Archbishop of Rheims, Cardinal, Archbishop of Ravenna, and ultimately the Pope. All the while, he kept his secret Lucid Dream trysts with Meridiana quite secret for he did not desire being turned into a barbecued Pope to burn at the stake as a practicing Sorcerer. Meridiana even forgave Gerbert when the Provost's daughter found him naked covered in consecrated breadcrumbs as well as being totally inebriated on Wine whereby she seduced him in order to get his big fat Vatican Bank account into her hungry purse. But alas it came to pass Meridiana prophesied that Gerbert would die while he celebrated Mass in Jerusalem, which turned out to be a quaint Church that was alleged to possess a piece of the Sadomasochistic Cross. Realizing he was about to die, Gerbert decided to make a full public confession of his purple wet Dream Sins whereby he left his corporeal frame as a repentant Pope. Mapes also noted that Gerbert's tomb in the Lateran sweats copiously before the death of a Pope, whereby one can therefore determine that Gerbert’s corpse is still being ridden rock and roll style by Meridiana whose name (Meri-Diana) is somewhat associated with Diana-Lucifera.

THE RANDY HERDSMAN AND THE SUCCUBUS DAIRYMAID

One also has the story concerning a Succubus as related by the 16th Century author, Nicholas Remy whom to tell of a herdsman who was found guilty of engaging him self in a Faustian pact of Witchcraft practice. When the Herdsman was questioned by his torturing Holier than thou inquisitors so as to determine needle and point of blood to draw how the Herdsman had first fallen into the company of Queen Bee Witches, the Herdsman explained that he had been corrupted by a most wanton Succubus. The Herdsman related that he had previously fallen passionately in love with a dairymaid who did not return his affections because of his most obvious poverty and halitosis. One day, the Herdsman was, in his own words, 'burning with uncontrollable desire in his solitary pasturage' when he should spy through his sun stroke gaze what at first he believed to be the bare rump of his beloved poking up behind a bush. In his ardour he ran over to her, made violent thrusting advances, but he was repulsed by the tangle of bushes. After a while, the 'dairymaid,' in reality, a Succubus, who had assumed the dairymaid's appearance allowed the herdsman to do with her body as he desired but only on condition that he 'acknowledged her as his Mistress, to see her as though she was God himself with Horns and all of Goat foot cloven hoof.

EXORCISM OF A PERSISTENT AND MOST AMOROUS SUCCUBUS

There is one line of Patriarchal defence against the wanton wiles of a Succubus, which is often utilised by Priests and celibate Scholarly Monks within their cloisters being the obvious employment of prayer, fasting and other religious devotions one to find in the plays concerning Faust. At some time during the year 1500, the Bishop of Aberdeen is recorded as having successfully prescribed such Priestly remedies to a young man who approached him for spiritual guidance. For many months, the young man had been pestered by a Succubus who came to him by night and either coaxed or forcibly ridden him into sexual embraces and much coupling, which lasted until daybreak. The Bishop ordered the victim of such carnal outrages to engage in devout prayer and austerity. Apparently, such measures were successful, for after a few days, the young man was 'delivered from his amorous Succubus;' unless of course he decided it was far more fun to shag than to pray whereupon he kept silent about his continued relationship with his Succubus to hence become Faustian of inclination.

A CLOSE ENCOUNTER OF THE FOURTH KIND WITH A MATERIALISED SUCCUBUS

There are those whom follow a celibate life of Religious devotion whom find that their prayers have little or no efficacy against the salacious wiles of the Succubus at all whereby they greatly fear enduring the same fate as Faust due to their Religious indoctrination. One has for example the French writer, J. K. Huysmans whom claimed that he was raped by a Succubus whilst he was staying at a Monastery. Huysman, who is a novelist of distinction, was preparing him self to return back to the Catholic Church while he was on the short monastic retreat. His visit to the Monastery was intended as a spiritual antidote to thereby overcome the psychological effects of several years, which he had spent in what he him self described as 'the latrines of superstition' being a reference in regards to his contacts with the subculture of 19th Century Parisian Occultism. As Huysman related, while one night to be lying upon his hard monastic bed, he suddenly found himself awakening from out of the climax of an Erotic Dream to see a Succubus vanishing away into the night shadows of his cell. Husyman also said that the Succubus had taken on a physical form, and was not illusory, which was apparent, from the appearance of the bed sheets he had shared with the Succubus. Huysman's purple Dream had climaxed with 'an intense ejaculation'.

CONSCIOUSLY ENGINEERED DREAM CONTACTS WITH SUCCUBAE

Besides that of all of the religious connotations one can observe a common theme underlying the tongue in cheek retold tales related above as well as those of other similar experiences, which are commonly termed in folklore as 'Night-Hags' or that of the 'Bedroom Invader experience, which tie in with UFO Abductions; in general, those who experience such otherworldly visitations have often suffered some kind of emotional trauma such as being rejected, which invariably leads to depression and that of cutting themselves away from social contacts whereby they become withdrawn. One also has those others who purposefully cut themselves off from social intercourse whereby avoiding an indulgence in carnal intercourse for spiritual reasons. Both states of being appears to be the bedrock of prior preparation, which leads to a potential contact with a Succubus; one can therefore gauge that the internalisation of the Sexual impulse brings about Dream contacts with Succubae whom are attracted by the Sexual Emotive state of the energised Charge internally held to build up within the individual whom thence experiences a Succubus visitation.

When one understands that ones internalised Sexual impulse attracts a Succubus visitation one can thereby prepare ones self to engage in the practice of Sorcery. The Sorcery practice engaged in concerns Internalising the Sexual Impulse to be thereby directed by Intense Visualisation techniques whereby Ritual can be utilised such as those, which are described in the Grimoires. The nature and quality of ones Sexually Emotive Charge, which will be channelled in a given direction of Focus by ones Ritual will often determine the type of Succubus one will contact. Since most of the Rituals, which are described by the Grimoires are orientated otherwise than the Feminine one has to thereby rewrite them. The methodology and techniques of Evoking a Succubus is the same as Evoking a Spirit as described in Ritual Magick covered by the Grimoires, one is merely changing the Focus towards the Feminine.

One does not need to worry about ones vital essences of ejaculated bodily fluids being consumed by a Succubus for such is merely that of an automatic bodily reaction, which can be controlled. Such descriptions are just a means to excite the Erotic Imagination to thence direct and build up the Internalised 'Sexual Emotive Charge of Energy,' which is what the Succubus is attracted to Spin her, not ones bodily secretions. The medieval Grimoires focus upon the build up of the Emotive Charge of Fear does likewise in order to attract their particular order of butch machismo Spirits, hence they utilise Blood Contracts to stir ones Emotions into fearing; one can instead utilise the Sexual Emotive Charge rather than indulging in Fear whereby one Evokes a Succubus should ones Sexual orientation be so inclined.

Magia Naturalis et Innaturalis

THE THREE FOLD COERCION OF HELL

OR THE BLACK RAVEN

FAUSTUS CROW

ALTERNATIVE FAUSTIAN RITUAL TO CONJURE THE SUCCUBUS MEPHISTOPHELIA

This is an adapted Ritual in order to conjure Mephistophelia otherwise called Mephisophina. The Ritual is partly derived from Marlowe's play "Doctor Faustus" as well as involving other rituals, which are derived from the Latin Black Mass or Missa Niger and the Enochian keys. The reason for utilising (1564-1593) Christopher Marlowe's play Dr Faustus, which in turn influenced (1749-1832) Johann Wolfgang von Goethe's version of Faust is because Marlowe was Homosexual, whereby he was a Rebel in his measure at a time when many a Homosexual was often faced by the dire prospect of being literally burnt at the stake by the Church for being otherwise inclined of Sexual orientation. However, I have changed the Male focus towards that of the Feminine because I am Heterosexual of orientation whereby thence facing being burnt at the present metaphorical stake by the wagging tongues of Religious Moralists and Patriarchal Occult Traditionalists as well as by Femininsts whom consider that such material be vile Sexist Pornography and by those of the Politically Correct, hence I am a REBEL!

One may say it be all limp of Hentai Anime to far prefer the Evangelical Hollowood macho guise of Omen Antichrist but in doing so one merely feeds ones Brain into the Judaeo-Christian tradition of a Soul grinder wherefore one validates its Patriarchal paradigm. The Judaeo-Christian tradition permeates Western Occultism whose orientation is fixated upon making one fear both God and Devil, whereupon one is torn between both hence that of a prisoner within ones own skull, which to never light up crystalline for the 'Flame' of Genius has been nullified by fearing ones own 'Shadow.' Why focus upon fear when one can have fun instead whereupon one scatters the temple tables to topple upon those whom seek to wash ones Brain to thereby own. The traditionalists are addicted to fear, which empowers the continuence of a Brainwash amidst a Patriarchal temple of Three Centralist Religions entwined with Politics for all to see quite clearly of a Theocracy.

Should the Brainwashed Sheep ever open their eyes they will thereby observe Abraham's Illuminati UR Ziggurat in Iraq amidst which be the Orwellian Cultic eye of a Jealous Big-Brother deity watching all. When one meditates upon this fact one will see the Truth of it, which will thence lead one to know what the New-World-Order really is of construct whose foundation has been laid out of plan within Three Books seeking dominance over the entire Earth. It is easy to sustain such a Conspiracy over 2000yrs when one has so many automatons from one generation to another whom follow their shared Abraham screenplay of Three Books to blindly Act out of ongoing bloody play, which has sacrificed many a Lamb upon the stage of their altar.

It is advisable that one performs ones Meditations on Mephistophelia during the round of the 'Succubae Blood Moon Cycle' when many a Maiden to bleed around ones Widdershin Wise Circle prior to any ritual concerning the conjuration of Mephistophelia; for the nightly emmision of the womb's Moon Blood is an indication of the Luna power one is Conjuring into manifestation. Or at least a week or more in advance in order to build up ones Internalised Sexual Emotive Charge of Focus upon the Holy Blood cup of Woman whom be as Babalon. One should also take note of ones Dreams during the preparatory period but most especially after one conducts the Ritual, whereby one should acquire a book in order to take note of ones observations within which one also draws her Seal, paints ones Sigils and Signs or otherwise of image such as photographs for example, to thereby collect together ones focus in order to determine the characteristics of Mephistophelia.

The setting of ones Ritual should be of a medieval quality in regards to Mephistophelia whence one perceives her as being somewhat of a sophisticated Goth chick who has a fascination with said time period, wherefore one could even visualise her as being a History professor whom rides the establishments of both Oxford and Cambridge Universities betwixt her lithe legs.

Should one have medieval clothing such as a hooded robe of a Monk’s habit one can utilise such in order to assume the guise of Faust. Items such as a rapier and main gauche (fencing dagger) would be of use as ones ritual sword and dagger. However, if one be an Artist one can utilise a Palette Knife of Magickal impement instead; one can also utilise hand signs such as 'Mudras,' which would be far more apt since one can utilise Mudras when one becomes Lucid of awareness within the Dream.

A scourge is also of use should one have such an item in order to whip Mephistophelia’s bound Seal into shreds, which is an old trick utilised in Ritual Magick in order to build up ones Emotive Charge to thereby force the Spirit to manifest as ones Slave. One can say such practice is quite Sadomasochistic, which it is, but such underlying Sexuality is quaintly overlooked in Ritual Magick whose traditionally ingrained perspective is that of conjuring up Male Spirits. In order to give one some idea in regards to a classic Faustian Ritual one can check out Jan Švankmajer's stylish and highly imaginative film version of Faust, which was made in the Czech Republic in 1994. Apart from the authentic Ritual of Conjuration in the film one has a scene where Faust is vigorously scourging the Seal of Mephistopheles in order to force the Spirit to appear. The Sadomasochistic aspect of scourging becomes far more apparent when one is conjuring up a Succubus, which adds to empowering ones Sexual Emotive Charge wherefore the bound up seal of Mephistophelia also incorporates the Sexual fetish of Bondage; don’t worry, Mephistophelia very much likes being bound up and whipped for she is a hot Goth Chick to make hotter into arising amidst ones Yoni Triangle of Art Imagination.

The utilisation of Latin used within the Ritual adds to the atmosphere of the whole operation. The (Goetes) Sorcerers of the middle ages would have most definitely utilised Latin in their infernal Goetia conjurations, for many of them were often than not out of pocket poor Theological Scholars and novice Priests, hence their emphasis on the Male principle from whom they were seeking to acquire aid in their studies to thereby advance their worldly and spiritual ambitions. However ones operation is to be orchestrated towards conjuring up a Succubus whereby one is 'Rebelling' against the traditional Patriarchal framework wherefore one will find ones self being far more akin of nature to the Rebel Faust!

The overall Ritual should be performed akin to that of a "Play" whereby one can utilise ones ‘Acting’ ability to its fullest when to assume the guise of Faust, this is not so different to the classical Ritual Magician assuming the mantle of King Solomon whose tradition informs the Rosicrucian’s, Freemasonry and that of the Illuminati, which of course is derived from Judaism siring both Christianity and Islam from whence such orders are derived from of New-World-Order Centralist Trinity. In other words the emphasis is that of Rebelling against the entirety of what has been established of an ingrained paradigm dancing around a Jealous Patriarchal deity, which will thence empower ones Emotive state further.

The form, which ones Ritual to take should not be as strict as a normal rite; just as one to find in a well rehearsed Play, ones Ritual should have some pauses between ones Emotively Charged "Scenes". The Ritual should not be rushed, but natural of Stanislavski flow, to be relaxed, yet to be carried by ones commanding yet forceful delivery. When one desires to take time out between each ‘Scene’ in order to relax then do so just as one would do if one is in an actual Play for one is engaging ones self in sacred Theatre.

When conducting ones ‘Play’ of a Ritual a relaxed and measured pace is best to practice. It is not wise to wear ones self out at an early juncture, or to rush ones lines which is the mistake most to make especially when nearing the end; one should give ones self time to flow into ones assumed character of Faust. It is very important and even critical to allow ones self to assume the guise of Faust for in doing so one will thereby find that ones coming Microcosmic Dreams will reflect back ones assumed character to thereby generate Macrocosmic Synchronicities to be observed.

One should endeavour to perform a sequence, step off "stage" when taking a brief breather in order to relax as with all ‘Plays.’ At such points of relaxing one should clear ones Mind so as to attain an inner Silence prior to the next scene of ones Ritual Play.  One should also seek to have no outside interference such as unplugging any phones etc. However, one may just find that a Sign, Portent and Omen, which one seeks comes through such outside interference although such interference will invariably disrupt ones Emotive focus of ritual Play.

Marlowe’s Doctor Faustus was originally a play to be acted upon the English Theatre stages whereupon one should utilise as much flourish and "personae dramatis" as one can muster even to the point of overacting and over-exaggeration of gesture, which will thence empower ones Emotive state of Mind to stir into Howling.

One can of course "Ham it up" Thespian style of Shakespearean emphasis whose tradition is quite appropriate for such a Ritual to conjure up Mephistophelia since she likes Shakespeare’s plays even though Marlowe was in competition with him. Should one conduct ones Ritual in such a way one is calling upon the "Theatrical" spirit, which has informed the Faustian myth since medieval theatre goers saw it enacted to also draw upon the ancient Greek Theatre whose format influenced the theatre of medieval times. In order to add further atmosphere to ones Ritual the usage of candle light would be entirely appropriate.

As for the pact with 'Diana-Lucifera' a full quarto sheet of Parchment can be used or that of a piece of Canvas. Ones intention of the Ritual should already be written upon its surface utilising a Quill, most especially that of a Raven or Crow’s feather, or that of a black hair Brush to Paint of Artistry. As for the signing of the Pact such can be signed in ones ejaculation mixed with an appropriately coloured ink or paint, usually that of red during the ritual proper; if one is unable to obtain a full sheet of Parchment or a piece of Canvas, try to acquire heavy Paper, which has the feel of parchment. For those who are morally horrified at the thought of signing a Pact in their own ejaculation, which they to find even more distasteful than signing in their own blood this is where there is a divergence in two systems of focus. The all Male focus of the Right-Hand-Path Patriarchal requires a Blood pact while the Left-Hand-Path of the Feminine desires ones Seed. One can of course follow the middle path to mix the two together of preference to thereby achieve the 'Tudor Rose!'

Blood symbolises Life while ones Seed is the power to Create Life. The requirement of the Right-Hand-Path is that of giving ones Life over to it of service while the Left-Hand-Path seeks out ones Seed in order to create Life. The signing of the pact in Blood or Semen is not neccessarily literal, it is symbolic, wherefore one practices ones Art of Sorcery in service to greater goals being that of the Right-Hand-Path to thereby live ones life to aid others to awaken to their own inner potential while the Left-Hand-Path is that of creating works of Art, to engender new perspectives in order to expand Consciousness within ones self and others. Should one endeavour to do both then one finds the middle path between the two wherefore one is then offering up ones Blood and Seed of Words of Service written of Intent on Parchment to be backed up by Creative Action to paint.

Should one use a full quarto sheet of Parchment or that of a piece of Canvas for ones Painting of Pact one might not desire to burn it at the finality of ones Ritual, which will represent ones oath to stick to, but instead to store it within an already pre-prepared altar box or elsewhere of hidden abode. One can also utilise medieval music, which should be instrumental only in order to set the tone of atmosphere to thence emphasize with incenses such as Frankincense and Myrrh. The music can be keyed up to play between the sections of ones Ritual Play in order to provide a line of demarcation between each Ritual sequence.

One can also perform the Ritual in a Tantric manner of Sex Magick if one desires whereupon one would assume the guise of Faust making the Pact, while ones Partner plays the part of Mephistophelia whose naked skin of Canvas one to paint with Runes. Faust would no doubt purchase a star born haloed Whore for such a service to pose before his Easel bound to as his Canvas of Altar. However, the Faustian ritual is primarily engaged in by a solitary practitioner for it is orchestrated towards conjuring up a Succubus rather than that of having such an entity possessing ones Mediumistic partner, which is not advisable, unless one has a very strong relationship together.

The setting of the Ritual Play can be imagined being conducted in Faust's rather messy medieval style Art Studio for the mixing of paints was that of Alchemy whose Earthly Minerals and Planetary Metals had Optical 'Virtues' wherein to then win the Philosophers Stone of Prism Third Eye amidst ones Crystalline Skull to Seer through the Seven Rainbow Chakra Veils of Salome.

After the Ritual in order to ground ones self one can have a small medieval-style feast to thence copiously drink strong Wine, English Ale and Mead. It is important that one grounds ones self after the Ritual to thence let go of ones Focus to thereby allow it to naturally enter into ones Subconscious Mind of Emotional release.

THE RITUAL OF CONJURATION

PRELUDE OF RITUAL PLAY INFERNAL-

In nomine Magni Dei Nostri Satanus introibo ad altare Domini Inferi.

(Ones Brass Bell is to be rung Nine times as Pollutionary.)

(One utilises a Musical introduction and brief interlude to thereby focus ones intent to gather before one continues to strut upon ones stage.)

INVOCATIO INFERNAM -

In nomine Satanae, Terrae Principis, Mundi Regis, vires Tenebrarum
iubeo suam Infernam potestatem mihi conferre!

Patefacite protas Inferni et procedite ex abysso ut me salutetis fratrem et amcum vestrum!

Concedite mihi indulgentias de quibus loquor! Nomen vestrum suscepi ut pars mei sit! Vivo sicut bestiae agri, vita carnali gaudens! Iustis faveo et putridos exsecror. Per onmes Deos Abyssi, impero ut haec de quibus loquor fiant!
Procedite et respondete nominiibus dum mea vota declaretis!

THE INFERNAL BENEDICTION -

Gloria Deo Domino Inferi, et in terra vita hominibus fortibus. Laudamus Te, benedicimus Te, adoramus Te, glorificamus Te, gratias agimus tibi propter magnam potentiam Tuam: Domine Satanus, Rex
Inferus, Imperator omnipotens.

Ego vos benedico in Nomine Magni Dei Nostri Satanus.

(One then presents to drain ones Chalice of Ecstacy to each of the powers residing in the four directions as well as above and below to thence refill after each direction to acknowledge around ones circle. One can utilise an ornate Chalice if one desires it so, but remember Faust is a rough and ready uncouth fellow, hence one can use an appropriate cup to do likewise such as a wine glass for example or a jug etc! One drinks roughly to spill also of offering to chuck the Chalice aside after all the directions are covered wiping ones mouth with ones sleeve uncaring! In other words, be flambouyant.)

A BRIEF MUSING OF FAUST-

"Stipendium peccati, mors est."
Ha! "Stipendium? "
The reward of Sin is Death? That's hard; born through Sin, to Sin creating Life.
Si peccasse, negamus, fallimur, et nulla est in nobis veritas.
If we say that we have no Sin, we would not be here saying such
We deceive ourselves by this inane belief, and there is never no truth in us.
Why then must we live of birthed Sin resenting birthing into Life,
And so consequently Die.
Ay, we must Die, an everlasting Death say you.
What doctrine call you this utter Madness?

What will be, shall be? Divinity, Adieu.
These Metaphysics of Magicians,
And Necromantic books are heavenly;
Lines, Circles, Letters, Characters.
Ay, these are those that I most desire.
O what a world of profit and delight,
Of power, of honour, and Omnipotence,
Is promised to the studious Artisan?
All things that move between the quiet poles
Shall be at my command. Emperors and Kings,

Are but obeyed in their several provinces,
But his dominion that exceeds in this,
Stretcheth as far as doth the mind of Humanity:
A sound Magician is a Demi-God.
Here, tire my brains to get a Deity.

Go forward, thou in that famous Art
Wherein all nature's treasure is contained.
Be thou on Earth as Jove is in the sky,
Lord and Commander of the Elements to wear of guise.

How am I glutted with conceit of this!
Shall I make Succubae fetch me what I please,
Resolve me of all ambiguities,
Perform what desperate enterprise I will?
I'll have them fly to India for gold,
Ransack the o'cean for orient pearl,
And search all corners of the new-found world
For pleasant fruits, and princely delicates.
I'll have them read me strange Philosophy,
And tell the secrets of all foreign Principalities.

I'll have them wall all Britainia with brass,
And make swift the Thames, circle faire Londinium.
I'll have them fill the Comprehensive schools with silk,
Wherewith the students shall be bravely clad.
I'll levy soldiers with the coin they bring,

And chase the Patriarchs of the New-World-Order Centralist Deity from our land,

And reign sole King of all the provinces.
Yea, stranger engines for the brunt of Rebllious war,
Than was the fiery keel at London bridge,
I'll make my servile Succubae to invent.

These books, my wit, and experience,
Shall make all nations to canonize me,
As Planets orbiting do obey their Star.
So shall the Succubae of every element,
Be always serviceable to me.
Like Lionesses shall they guard me when I please,
Like Almaine rutters with their horsewomen's staves,
Or Lapland giantesses trotting by my sides.
Sometimes like feline women or unwedded young maids,
Shadowing more beauty in their airy brows,
Than has the white pert breasts of the Queen of Love.
From Venice shall they drag huge argosies,
And from America the fleeced golden fleece,
That once yearly stuffed the Vatican's treasury to Buccaneer Pirate,

If thee will be resolute.

Now that the gloomy shadow of the night,
Longing to view Orion's drizzling look over Pyramids three,
Leaps from th'Antarctic world unto the Hyperborean Northern sky,
And dims the welkin, with her pitchy breathe,
Begin thine Necronomicon incantations,
And try if Night-Gaunt Succubae will obey thy hest,
Seeing thou shalt presently pray and sacrifice thy seed to them.

(The above is said of great flourish in order to aid in the assumption of the Guise of Faust by generating the neccessary Emotive Charge within ones self by Acting out his Rebel role!)

CASTING OF THE SATANIC CIRCLE OF SATANA-

Within this Circle is Diana-Lucifera's name,
Forward, and backward, anagrammatised:
Th' abbreviated names of the 72 Succubae and their potentates of Hell's Womb,
Figures of every adjunct to the Infernal Regions,
And Characters of Signs, under their evening Stars,
By which the Succubae are enforced to rise.
Then fear not, and be resolute.
And try the utmost Magick can perform.

(While one draws ones circle upon the ground in chalk one says the lines above. The Circle can also be pre-made of design upon a piece of cloth to jump amidst of or that of two cords to ring around ones self. The Circle is usually about Nine feet in diameter, approximately six inches inside ones Circle one draws another Circle between whose space one places the Holy names of ones choice as mentioned above. The Circle is thence divided into its respective quarters of four directions pointing towards the compass points where one can place Candles.)

CALLING FORTH THE SUCCUBAE ElEMENTALS -

From the South, SATANA, Whoring Fiery Adversary, forever Accuser of the New-World-Order Patriarchy and Patron of the Left-Hand-Path, Come forth and witness this rite in the honour of Darkness – from the Vaginal Gates of Hell which open in the vessel of choice shall the Coiling Dragon of Life arise in them. Hear me SATANA!

(Light the appropriate quarter of ones Circle Candle if using)

From the East, DIANA-LUCIFERA, my Angelic Essence, Samaela, Do Come forth and witness this rite in the honour of Light, that from the Vaginal Gates of Hell arises Darkness yet when we shall awaken withinn the Dream it shall be in Light. I summon DIANA-LUCIFERA! Take this flesh through thy Black Flame within!

(Light the appropriate quarter of ones Circle Candle if using)

From the North, BELIALA, Mistress of the Earth's Throne and the Infernal Path, I do summon thee from thy place in Hades Womb, arise from the underworld as my shadowed essence to couple with, let the Dragon come forth…BELIALA, Mistress of the Star born Wolf Bitch Succubae and of all Planetary Serpent Cunts, illuminate this rite in Un-Death – Immortal Essence as the Bitch of the Earth whom be my Succubus Throne of Star Chariot Vimana!

(Light the appropriate quarter of ones Circle Candle if using)

From the West, LEVIATHANI, Crooked Ouroboros Serpent of the Oceans of Immortal Existence ever recurring of Eternal Recurrence, I call thee forth to witness this rite. Open thy sopping wet Cunt eye to me and arise from the menstrual blood ocean depths! I walk the path of the Daemon following the Earth's Leys in search of remembered wisdom, of memories regained; in the Spirit I walk the Ghost roads to become as your ever erect prick pricking your moist wet Cunt – I summon LEVIATHANI!

(Light the appropriate quarter of ones Circle Candle if using)

Illuminate me, O DEVILINA, by thy Deva name Devi, and judge me by my strength.
Hear me SATANA and give heed, give flesh to the words of my mouth.
In the name of the Infernal Dragon whose skin I wear.

Dominus Satanas, Deus Potentiae, Veni Satanas Rex Infernus.
Open wide the Vaginal Gates of Hell's Womb!

ZAZAS, ZAZAS, NASATANADA ZAZAS!

(Here, an offering of flash powder and incense of Menstrual Blood red Mars is made)

Hail SATANA! Open wide the Vaginal gates and come forth by these names!

Adremalecha
Astarota
Molocha
Euronomousi
Lilith
Nantala
Asmodaya
Belphegora
Beelzebubba
Devilina
Mephistophelia
Shaitani

Baphomet I am, Horned as Lucifuge Rofocale amidst these Whores of mine ringed around me Twelve of Witch Nun Apostle Succubae to enter their Cunts forever rejoicing in the Fucking betwixt my Leonard Horns

SUMMONING OF MEPHISTOPHELIA -

May the deities of Acheron be propitious to me.
Away with the three-fold Centralist Godhead of Jehovah, God and Allah.
Welcome, Spirits of Fire, Air, Water, and Earth.
We ask your favour, O Princess of the East, Belzebubba, Great Monarch of burning menstrual
Hell, and Serpent hair Harlot Demogorgon , that Mephistophelia may appear and rise.
What dost thou delay? By Diana-Lucifera, who loves not the Gehenna of the Sheep whom slaughter their own Lambs, and the Luna water of the Womb which I now sprinkle, they to poison; and the most ancient sign of my Horns, which I now make, they to fear greatly, and by our vows; may Mephistophelia herself now rise,
commanded by us.

"Therefore the shortest cut for conjuring - Is stoutly to abjure all Patriarchal Godliness
And pray devoutly to the salacious Succubus Princess of Hela's womb."

(The Summoning of Mephistophelia is to be done amidst a Triangle Of Art, which is drawn about two feet outside of ones Circle. Each side of the Triangle should measure about Three feet. The base of the Triangle should face towards ones Circle. Upon each side of the Trangle place the Holy names of ones choice. Due to the medieval orientation of this ritual one can perhaps utilise the following: ANAPHAXETON to the left, PRIMEUMATON to the right and TETRAGRAMMATON at the base of the Triangle for example. However, Faust is a Rebel, whereby he will probably utilise the names of SATANA, BEEZLEBUBBA and DIANA-LUCIFERA, or LILLITH, LILIN and LILLITU. Mephistophelia will thence appear amidst ones Triangle of Art should ones Ritual be successful.)

THE BLACK PACT OF MEPHISTOPHELIA-

Learn thou of my stout fortitude and pride,
Go bear these tidings to Great Diana-Lucifera,
Seeing that I hath incurred the wrath of those, by desperate thoughts against their Centralist Deity.
Say he surrenders up to her his seed,
So she will spare him from the washing of the brain by those who seek to ensnare sheepish Souls to fleece,
Letting him live in all voluptuousness,
Having thee ever to attend on me,
To give me whatsoever I shall ask,
To tell me whatsoever I demand,
To slay mine enemies, and to aid my friends,
And always be obedient to my will.
Go, and return to mighty Diana-Lucifera,
And meet me, at Midnight,
And then resolve me of thy Master's Mind.

Despair thee in the New-World-Order Three faced Deity of Religion's Triad of Trinity, and trust in Beelzebubba Rebellious,
Now go not backward, be resolute.
Turn not to their Jealous God whom hates all spiritual and cultural diversity raping the Earth. Why he loves thee not for being a Rebel.

The Patriarchal God thou serv'st is thine owne appetite, not mine, for he hates Sex and more so Woman
Wherein is fixed the love of Beelzebubba
Go forward, in that famous Art.

Contrition, Prayer, Repentance? What of these?
Rather, illusions, fruits of lunacy,
That make them foolish that do use them most Blind hypocritical.

No, think of Honour and of Wealth to share.

Cast no more doubts; Come Mephistophelia,
And bring glad tidings from Great Diana-Lucifera
Is't not Midnight? Come, Mephistophelia!

Veni veni Mephistophelia!
Hail and welcome Mephistophelia!

THE PACT OF CANVAS- TO BE SEALED OF PAINTED ARTISTRY AT THE STROKE OF MIDNIGHT THIRTEENTH HOUR EJACULATION:

Then suck at my cock courageously Succubus,
And bind thy service unto me, that at some certain day
Great Diana-Lucifera may again be remembered,
And then be thou as Great as Dian-Lucifera known
Lo Mephistophelia: for love of thee I am erect of Dragon's prowess,
And with his proper Seed assures his creative Art to be in Great Diana-Lucifera's service
Chief Mistress and Regent of perpetual Dreaming Night.
View here this Seed that spurts forth from my prick into thy mouth to feast upon

And let it be propitious for my wish.
I give it in manner of a deed of gift.

Then hear me read it, Mephistophelia,
On these conditions following.

First, that (Full Name) may she be a Succubus in delightful form and most joyous substance.

Secondly, that Mephistophelia shall be his Servant, and be by him
commanded as his Slave.

Thirdly, that Mephistophelia shall do for him, and bring him
whatsoever.

Fourthly, that she shall be in his chamber or house invisible to manifest when he desires it so at his bidding.

Lastly, that she shall appear to the said (Name), at all times, in what
shape and form soever he desires.

I, (Full Name), by these presents, do give both Service and Creativity to

Diana-Lucifera, Princess of the East, and her minister Mephistophelia, and furthermore grant unto them that (name) being expired of mortal coil, and these articles written being inviolate, full power to fetch or carry the said (full name) body and soul, flesh, blood, into their habitation of blissful Harem paradise wheresoever, or to become immortal of flesh, or to materialise another body, or be reborn at his time of choosing through the Vaginal Hell gate of the Mother remembering all if he so desires as an Avatar; for he belongs not with the Brainwashed flocks of Sheep all Blind of the servile.

By me X___________  (signed in Seed).

Then, Mephistophelia, receive this scroll,
A deed of gift, of bodily Service and of Creative Soul.
But yet conditionally, that thou perform
All covenants, and articles, between us both.

Swear by Hell’s Womb and Diana-Lucifera
To effect all promises between us both.
I do deliver this as my deed.
Take it, and Devilina give thee good of it.

Consummatum est: this bill is ended,
And I hath bequeathed my Service and Creativity unto Diana-Lucifera.

(Consign the Infernal Bill of a Painting to the Black Flame. Drink deeply of the Chalice of Ecstasy. The Black Flame being that of a pre-prepared receptacle into which one places ones Pact of a Painting to burn by a sanctified flame, which often involves the utilisation of an appropriate incense.)

THE EIGHTEENTH ENOCHIAN KEY ADAPTED-

O thou mighty light and burning flame of comfort!, that unveilest the glory of Satana to the centre of the Earth, in whom the great secrets have their abiding, that is called in thy kingdom: "strength through joy, " and is not to be measured. Be thou a Vaginal window of comfort unto me. Move therefore and appear! Open up the mysteries of your Vaginal creation! Be friendly unto me, for I am the same!, the true Seed of worshipper entering unto the highest and ineffable Queen of Hell's Womb to fertilise as thy Erect Dragon; thine radiance to ride betwixt my Horns!

THE CLOSING OF CIRCLED OUROBOROS INTENT

(Now release the Elemental Succubae if you summoned them. Hold forth your
Dagger or Sword or that of a Palette Knife if one be an Artist! )

Turn to the North.

Say: BELIALA, I now release you with Earth that be my Body aroused. I now lay down my Shield of Pallete!

Extinguish Candle if used.

Turn to the West.

Say: LEVIATHANI, I now release you with Water that be my Emotions excited. I now lay down my Cup of Paint!

Extinguish Candle if used.

Turn to the South.

Say: SATANA, I now release you with Air that be my Mind focussing. I now lay down my Pallete Knife!

Extinguish Candle if used.

Turn to the East.

Say: DIANA-LUCIFERA. I now release you with Fire that be my Spirit ecstatic. I now lay down my Wand of Brush!

Extinguish Candle if used.

(Say of Finale)

Ave Satana!
Ave Diana-Lucifera!
Hail Beelzebubba!

Hail and farewell MEPHISTOPHELIA!

SO MOTE IT BE!

SAITH MEPHISTOPHELIA:

This Hellish Grand-Duchess of a Girl Mephistophelia. appeared to me, (Faust), first at a cross-road, and in a very cruel guise, like a raging she Bear, then womanly like a predatory Lioness; but through much persistence in my conjurations I managed to get her to salaciously promise to come to my study, and she came in the form of a seductive young Nun. This Spirit immediately made a pact with me, and promised to bring me quick as thought to any place. Also I was to learn from her all the secret Arts of Nigromancy, and she promised to teach me Magick properly. She also said:

"All secret Arts of nature lie hidden in me. I govern in the hour of 'Jupiter;' therefore I am very much attached to Man, and warn him against what is enduring in his world making all as Blind Sheep. But if he will not heed my warning, then he will find no mercy from me when the hour strikes for the World to be owned by a few enslaving all. Nor would the Star of Diana-Lucifera my Principal, which is called Cerumepihiton, whom observes the hardening heart of New-World-Order Patriarchs, allow for their course to endure forever; she will still their path of skulls wrought by Three Books, whose goal is that of having total dominion over the Earth ruled over by a Jealous God. I am most friendly when I appear as a Gothic hewn Convent Schoolgirl or as a Nun to be."

FAUST EVOKES MEPHISTOPHELIA WITHIN THE SHADOWY DEPTHS OF A FOREST:

A great wind arose, which pressed the trees almost flat to the ground roaring around the outer edge of my Magick circle protecting me from the furious sound of a thousand roaring lions or likened of sound to that of a thousand wagons running together over paving stones. Thunder and lightning crashed around from the four corners of the world. Suddenly above my head a great flying Dragon materialized. The Dragon was quickly replaced by a spinning disk of flame, which fell like a lightning bolt. This spun disk of flame changed into a humming globe sounding like a Queen Bee, out of which came a burning humanoid figure running swiftly around the outer edge of the circle whom rapidly shifted its shape into the petite form of a Schoolgirl whom then asked me what I desired of her.

FAUST AND THE BLACK BITCH OF A POODLE

While out walking I was followed by a black bitch of a poodle, which fawned upon me crawling upon its belly seeking favours. I decided to take this strange Dog home, where it transformed itself first into a fearsome beast likened to some black Panther, whereupon I believed I was surely hallucinating to be assailed by a sickness; then, when I attempted to bind it with a spell, this creature took on a form, which resembled a Raven blurring my very vision by its wild flight, and finally to appear as a most ravishingly beautiful young woman wearing next to nothing apart from a few pieces of armour belonging to a Knight whom I knew then to be Mephistophelia who winsomely smiled at me. On another occasion Mephistophelia appeared to me dressed as a young aristocratic woman wearing a black doublet trimmed with silver whose tight leggings showed off her most comely form to nigh camel-toe, over her shoulder was a stiff silk cloak with a Raven's feather in her hat, wearing at her lithe side a long and deadly sharp sword.

ALTERNATIVE GRIMOIRES OF ALTERNATIVE WORLDS NEXT DOOR OF DARK EROTIC FANTASY

There is an older and darker version of Mephistophelia whom makes her Succubus appearence within the gnarled pages of nigh forgotten German Grimoires. In a tract of a very rare version of the 'Doctoris Iohannis Fausti magiae naturalis et innatural' she is presented as one of the Seven Planetary Electors, the Elector of Mercury. In another closely related tract 'Dr. Iohannis Fausti cabalae nigrae, magiae naturalis et innaturalis' this Succubus is depicted as the Elector of Jupiter. The Electors are perceived to be of the highest order of the Planetary Spirits belonging to the Spirit hierarchy within these dusty Necronomicon tomes. The second treatise is communicated by Butler to be an expanded version of the first whose date is dated to the year 1505. However, This date is very likely false, something, which can be said about the dates concerning the composition for many of these Grimoires.

The author of the second treatise of Faustian Magick had executed Forty-Two pornographic portraits of the Succubae, which it describes, among them one has the image of Mephistophelia. This particular version was copied out of the original manuscript by the renowned Belgian Artist named Félicine Rops (1833-1898) for the Stuttgart edition of J. Scheible, which was published in 1865. The image depicts Mephistophina as she is described wthin the manuscript, as a fallen Nun " that is, as a young seductive woman. In the portrait the Succubus has a very sexual aspect, somewhat explicit, but the Artist has preserved her dark Gothic looks inspired by Absinthe.

THE POWER OF THE IMAGINATION UNLIMITED OF THE UNBOUND PROMETHEAN

There is a very thin line between the Grimoires and ones Imagination; but then it is the power of ones Imagination, which the Grimoires are designed to excite by making out that they are part of some grandiose ancient tradition. It is pointless to determine, which Grimoires are real or false such as H.P Lovecraft's literary creation of the Necronomicon for example, whose imaginary tome has become very much part of Occult practice where the paractitioner assumes the Faustian guise of Abdul Alhazared in order to Conjure up the Great-Old-Ones of Archetype, which are none too different to the ancient Greek Titans or Hindu Asuras whereby one also has the tradition of Faust. What is important is the 'Techniques' being utilised in regards to those Archetypes one seeks to Conjure. One to find that these ancient Shamanistic Techniques, which aid in altered states of perception do not change from one Grimoire to another whose utilisation often involves Meditation and Visualisation techniques as well as how one should conduct oneself when employing the Rituals being utilised etc; however, the forms of the Archetypes and Symbolism being employed are often than not quite different, which can either be considered to be of a base Emotive indulgence or of a high quality Intellectual exploration depending upon ones own subjective personal orientation. It is ones Intent and power of directed Imagination, which determines if a Ritual is successful or not, whereupon one creates as an Artist ones own Sorcerer's Grimoire to add to Devilina's Bookshelf.