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NIGHT-GAUNT NUN GAMARI: The Fifty-Sixth Spirit is Gremory, Gamori or Gamari/Gamary. She is a Strong and Powerful Duchess, and appears in the form of a most sensual and beautiful young woman dressed in a most revealing and sexually provocative black leather skeletal bodice of a Nuns habit. Upon her back one to see the leathery black wings of a Bat. She will also be seen with a horned Duchess's crown tied about her lithe waist, and to be riding on a great Reptilian Albino Camel with a long Serpentine neck from out of a vaginal gateway that be the doorway into a Great Beehive of an Obsidian Gothic Cathedral. The Cathedral is that of a labyrinthine library of Sorcery and Magick that be too a hidden University as well as being that of a bordello of seductive neophyte Witch's teaching the arcane arts of the Crucified-Serpent that are dressed as Goth 'Night-Gaunt' Nuns upon whose backs are to be seen the wings of Bats.

The office of Gamari is to tell of all things Past, Present and to Come wherefore she or her sisters will carry one within ones Visions or Dreams on a flight through the labyrinthine vaginal barrelled hallways of the Cathedral into a myriad womb rooms pertaining to different time periods and worlds. She will also tell of hidden ancient arcane books upon the Occult Arts and of Magical Treasures wherefore she to reveal what they lie in; and to procure the 'Sexual Love' of beautiful Women but especially that of 'Maidens.' She governs 26 Legions of female Spirits whom appear likened unto herself.

"Since (in the Middle Ages) the psychic relation to woman was expressed in the collective worship of Mary, the image of woman lost a value to which human beings had a natural right. This value could find its natural expression only through individual choice, and it sank into the unconscious when the individual form of expression was replaced by a collective one. In the unconscious the image of woman received an energy charge that activated the archaic and infantile dominants. And since all unconscious contents, when activated by dissociated libido, are projected upon the external object, the devaluation of the real woman was compensated by daemonic features. She no longer appeared as an object of love, but as a persecutor or witch. The consequence of increasing Mariolatry was the Witch hunt, that indelible blot on the later Middle Ages."

Psychological Types (1921), CW 6. P.344

Carl Gustav Jung (1865 – 1961)

ASSUMING THE ALTERNATE PERSONA OF A HIGH PRIEST DRAGON ADEPT

When a Male practitioner Evokes Gamari he can assume the Alternate Persona of a High Priest within a Lucid Dream, which Gamari will empower. The Alternate Persona of the High Priest, which one can assume can be somewhat other of the norm, where one finds ones self amidst a throng of adoring Nuns who are as ones Priestesses whom will worship one as their God incarnate within ones engineered Ludid Dreams. One will find that the Nuns one to experience within ones Erotic Lucid Dreams will be the Spirits of those Women, which Gamari has procured for one to eventually meet up with under Synchronistic situations when one awakens. The character construct of ones Alternate Persona of a High Priest can be based upon the characteristics of Aleister Crowley, but more so that of the 'Great Beast.' The reason why one utilises the Symbolic motif of the 'Great Beast' to assume of mantle is not that one is seeking to indulge in inane Evil acts or to play the part of a Hollywood Anti-Christ; it is because most people have been Subconsciously imprinted by such Symbolism; whereupon, by assuming the Alternate Persona of a High Priest who is also the 'Great Beast' within a Lucid Dream one accesses the Collective Unconscious focus upon the Symbolism, which is more so the case concerning those Women who see themselves as being a Babalon. One can say it is a case of like attracting like, which one sets up via ones Lucid Dreams when one Evokes Gamari; by doing so one will be setting up the Synchronistic conditions to meet up with a Babalon whom corresponds with ones internally assumed Alternate Persona. Such Women will invariably reflect back ones interest in the Occult Arts who are Subconsciously seeking to meet up with their High Priest of a Great Beast, whom will no doubt desire to birth ones Moon-Childe under a Sirius star; whereupon one has to be very careful!

THE NIGHT-GAUNT LEATHER NUN DUCHESS OF ALICE'S WONDERLAND

AN EXPERIMENT IN ASSOCIATIVE CRITICAL PARANOIA FUSION

One could equate the ‘Alice in Wonderland’ character of the ‘Duchess’ with Leather-Night-Gaunt-Nun Gamari; the author Lewis Carroll does not describe the physicality of the Duchess in much detail. The common perception of the Duchess is that she has a hideous appearance, which was primarily established within the popular imagination by the surreal works of John Tenniel's illustrations rather than that of Carroll’s scant description within his own work of Alice in Wonderland; however, within the context of Lewis Carroll’s creation it is clear that Alice finds the ‘Personality’ of the Duchess quite unattractive at first. The Duchess is an antagonist of The Queen of Hearts; in her first appearance, the Duchess seems nearly as unpleasant as the Queen herself, but later on treats Alice with friendliness and respect. (One could associate the 32nd Spirit of the Goetia called Asmodaya with the 'Red Queen' while Alice is the 4th Spirit Samigina)

If one to fuse Gamari with the Duchess one could thence perceive her living amidst Wonderland within a huge palatial Cathedral just outside the (Great Old Ones) Caterpillar's forest. The Duchess employs a footman who Alice thinks resembles a Frog one could perceive as being the Amphibious Babylonian deity of Oannes whom the Dogon called Nommo; the Duchess also has a female Cook whom is addicted to Pepper while throwing crockery and kitchen utensils over her shoulder with no concern for those who might be hit, which one could perceive as being somewhat like the Tantric-Hindu Goddess Kali concocting spicy hot Asian cuisines as she rants and raves on about the British Colonialism of India. (As for the Cook’s addiction to Pepper one could perceive the Pepper as being the potent Hallucinogenic snuff called 'Epena', whose ingredient is derived from the Virola tree, which is considered as being the ‘Semen of the Sun;’ it is primarily used by the Turkano Indians of South America.) The footman of an Oannes enjoys staring at the sky for days on end looking at the binary-star of Sirius whom is totally oblivious to most of the people in or out of the house. The Duchess also has a Child as well as the ‘Cheshire Cat’ within her abode. In regards to Gamari the Child is the Sol-Invictus ('God-Sun') Christ Child of a Horus while that of the ‘Cheshire Cat’ one could associate with the ancient Egyptian Goddess Bast or the Norse Goddess Freyja whom was known as the Mistress of Cats, both of which one could in turn fuse with the 12th Spirit of the Goetia called Sitri.

The character of the Duchess is strongly voluble; at times she even seems to have a double personality. When she first meets Alice in her kitchen, she shows herself to be nervous, aggressive, and not disposed to interact. She recites one of the more well-known rhymes in the Alice in Wonderland book, when she advocates beating her (Christ) Child for sneezing:

“Speak roughly to your little boy and beat him when he sneezes, he only does it to annoy because he knows it teases. I speak severely to my boy; I beat him when he sneezes, for he can thoroughly enjoy the pepper when he pleases.”

As the Cook has absolutely saturated the kitchen with (Epena) Pepper, and the baby sneezes constantly, Alice can only conclude that the baby boy has probably suffered quite a bit at his Mother's (Mother Church) hands. Taking pity on the child, Alice spirits him away, only to find that he has transformed into a Piglet and perhaps he was such all along. It is never explained why this happens in Carroll's story, but Alice looks on the bright side, concluding that while the baby wasn't a very attractive baby, it makes for a good-looking PIG.

Of the Duchess' household, the Cat appears to be by far the most balanced and sensible, although it states that—like everyone else in Wonderland—it is Mad. How the Cat came to live with the Duchess is, like so many other matters in Wonderland, a mystery. (In regards to the Pre-Christian Pagan perspective that the Feminine principle has Feline traits, a Cat within the palatial Cathedral of Gamari would indicate an Elder Pagan influence.) Later, when the Cat meets up with Alice, it appears it has left the Duchess for good.

When Alice meets the Duchess for the second time at the Queen's croquet party, the Duchess is far more communicative of almost flirtatious Lesbian intention, whom is seemingly determined to charm the young Girl for reasons unknown in the story, although most obvious when reading between the lines. The Duchess repeatedly places her chin firmly upon Alice's shoulder, which Alice finds disturbing as well as uncomfortable, for the Duchess has a very sharp, pointy chin. Alice begins to suspect that the Duchess might actually have a pleasant personality after all, and that her earlier ruthlessness was caused by the (Epena) Pepper. In any case, the Duchess has no concern for her (Christ Child) baby now that he has become very much a Pig. The Alice in Wonderland story often depicts the Duchess as being seen from a child's-perspective of perceiving emotionally volatile and mysterious adults, switching back and forth between dark moods and condescending affection, hence very unpredictable; but then again, most adults never grow up, whom still blindly play their repetitive childlike games of power mongering within a world made as a Vampire playground of Religious Chess board amidst which they writhe as Political Reptiles feeding off each other.

PSYCHONAUT TALES OF THE LEATHER NUN GAMARI

ISHTAR'S FUTURE GHOST TIME-TRAVELLING OF VOID-GOING CAT-WALK

Long prior of age before the ascendency of the Abraham Triad of Patriarchal faiths the ancient Egyptians perceived that at the beginning of all things there was a great ocean of primordial Womb sea, which they called 'Nun.' Out of the Womb ocean arose the first form of Atum who was seen as being either that of a Hill or a Pyramid of Light. One also has the Hebrew letter 'Nun', which is symbolically aligned with the symbol of a 'Fish.' The Fish is traditionally consumed by Nun's on Friday's, so some to say. Friday was originally named after the Norse Goddess Freyja whom rode a Predatory Cat just like the Hindu Goddess Durga as well as the Sumerian 'Queen of Heaven' whom the Babylonian's knew as the Goddess Ishtar. It is said that the Babylonian Goddess Ishtar was Crucified to a Tree before her descent into the underworld in order to retrieve her lover Tammuz from the grasp of Death. At every step of her descent into the bowels of the Earth Ishtar had to peel away a part of her worldly clothing since she had to enter Deaths domain naked as a Spirit to be verily tested by lustful Demons. One could see Ishtar's Cat-Walk stripper descent as a Shamanistic journey into the infernal realms of the Dream. At the level of the Dream, Time also flows backwards, whose Quantum reality is beyond Space-Time; whereby one could imaginatively perceive Ishtar travelling back into Time as a disembodied Night-Gaunt-Nun of a Time-Traveller, whose projected consciousness emanates from out of the far Flung Future as a Quantum Signal, whom seeks to awaken her Past lover Tammuz to another order of existence beyond Death via his Dreams to make Lucid of Awareness. Perhaps Ishtar is utilising some Future technology to achieve her goal whose Time of a galactic star faring civilisation has touched other stars to orbit such as Sirius.

CASTRATING CULTS OF CONSTANTINE'S ROME

Besides the Babylonian Goddess Ishtar one also has the ancient Egyptian Cult of the Goddess Isis, which was very popular and quite prevalent within the precincts of ancient Rome at a time when the Emperor Constantine eventually came into power. The main icon of the Cult of Isis was that of a depction of Isis seated upon a throne with a Horus child upon her lap to be verily suckled. Horus was also his own Father Osiris, whence Isis was not only the Mother of Horus but also his Wife. When Rome became Christian under Constantine's rule Isis was verily transformed into a Mother Mary quite so contrary 'Queen of Heaven,' while Horus became the Übermensch Sol-Invictus Christ Child. Another popular Cult in Rome was that of the worship of Cybele whose Priests were usually castrated eunuchs, which the Priests of Isis likewise practiced in order to empower their celibacy. The Persian Cult of Mithras was very popular with the bloodletting Roman Legionaries, whose Cultic practices had a focus upon the Star signs of the Zodiac, which were personified and later transformed into the Twelve Apostles dancing around a Papal-Bull.

THE AMPHIBIANS BETWIXT & BETWEEN BINARY STAR SIRIUS SWIMMING AS FISH

The Christian Symbol of the Fish the Dogon of South-Africa to have known of long before Christianity had ever appropriated the Symbol of an Amphibious creature. The Dogon saw the Fish as representing their culture bringer they called Nommo, which the Sumerian's and later the Babylonian's likewise knew as Oannes. Both Nommo and Oannes were perceived as being Amphibious deities of a primarily phallic representation; whence the Fish is phallic of associated Symbolism. The Dogon's relate in their Myths that Nommo Crucified him self upon a Tree as a Self-Sacrifice, which is a Symbolic allusion to Shamanic Trance induction for when one enters deep Trance one has the sensation that one is swimming like a Fish (or Serpent) within the Watery womb realms of the Spirit World. Nommo and Oannes are also associated with the binary Star of Sirius, which the ancient Egyptians associated with their Goddess Isis whose star is the star of the three Magi whom in turn represent the three stars of Orion's belt. The Dogon communicate that there is a planet, which orbits the binary star of Sirius, which they call the Planet-Of-Women. It is this Planet of Women, which the Dogon visit via Trance induction whereby enabling access into the Amniotic Watery realms of the (Nun) Womb Dream as phallic Fish, whence becoming like Nommo at those Zodiac Key-Times ordained by Star-Clock when Sirius is seen in the Sky.

The binary star of Sirius represents the two states of waking and sleeping, which one can equate with the Hypnagogic state and that of a (Vaginal) portal into Trance. The two states of waking and sleeping are equated with Land and Water; whereby, when one is able to capture the Hypnagogic state, one thereby becomes Amphibious of (Nommo/Oannes - Fish/Phallus) Consciousness, which is that of Trance. Once one has attained the state of Trance one can thereby consciously access the realm of ones Dreams, which is associated with the (Womb) planet of Women.

The ancient Egyptian's perceived the appearance of Sirius just before the Nile's seasonal flooding, which was equated with Isis menstruating; while the binary star of Sirius was seen as their "watchdog," which pointed out the time when the waters brought life back to the parched land. The rising of Sirius was also accompanied by a time of extreme heat, which led to a connection with hot, humid weather with Sirius: "Dog Days bright and clear, indicate a happy year. But when accompanied by rain, for better times our hopes are vain;" however, there were those times when the seasonal flooding was swelled by rain, which led to the destruction of the crops. The ancient Roman's knew the Dog days as 'Diēs Caniculārēs' who also associated their experience of hot weather with the appearance of the star Sirius in the sky. The Roman's also considered Sirius to be the "Dog Star" just as the Egyptian's did because it is the brightest star within the constellation of Canis Major (Large Dog). Sirius was also called the 'Eye star' since it is also the brightest star in the heavens besides the Sun; although, the allusion to the Eye also had an esoteric association with the Pineal gland of the vestigial 'Amphibian' Third Eye, whose ambrosial hormone Melatonin regulates ones Dream states; whereby at certain Key-Times Trance ingress was far easier to attain, such as around the time of the Dog Days.

The ancient Egyptians considered that Trance ingress into the Dream was under the aegis of their Jackal (Dog) God Anubis whom also oversaw the process of Mummification as well as the Spirit realm of the Dead, which was that of ones Dreams, whereby Anubis was also associated with Sirius. The rising waters of the Nile was associated with Isis, which is primarily regulated by the Moon, whose gravitational pull also affects ones Dreams; for one is mostly made up of water. The term "Dog Days" was used prior to the Roman's by the ancient Greek's (see, e.g., Aristotle's Physics, 199a2). The Dog Days originally were the days when Sirius rose just before or at the same time as Sunrise (heliacal rising), which is no longer the case, due to the Pentagram 'Precession of the Equinoxes.' The Roman's sacrificed a brown Dog at the beginning of the Dog Days to appease the rage of Sirius, believing that the star was the cause of the hot, sultry weather. The Dog Days of Rome were popularly believed to be an evil time, "when the seas boiled, wine turned sour, Dogs grew mad, and all creatures became languid, causing to man burning fevers, hysterics, and phrensies" according to Brady’s Clavis Calendarium, 1813; by this time the science of Dream manipulation and conscious Trance ingress at certain Key-Times had been lost.

In Ancient Rome, the Dog Days extended from July 24 through August 24 (or, alternatively July 23-August 23). In many European cultures (German, French, Italian) this period is still said to be the time of the Dog Days. The Old Farmer's Almanac lists the traditional timing of the Dog Days as the 40 days beginning July 3 and ending August 11, coinciding with the ancient heliacal (at Sunrise) rising of the Dog Star, Sirius. These are the days of the year when rainfall is at its lowest levels. One to find within the Christian Book of Common Prayer (1552), the "Dog Daies" is listed as begining on July 6th and ending on August 17th.

As an aside of Surreal associative interest during the recurring cycle of hot Dog Days the whoring Bitch of Rome birthed Benito Amilcare Andrea Mussolini, who was born on the 29th July 1883, Predappio, Province of Forlì-Cesena; his eventual demise came to pass on the 28th April 1945. Mussolini was an Italian politician who led the National Fascist Party and is credited with being one of the key figures in the creation of Fascism; more than any other ruler of modern Italy, Benito Mussolini had been very friendly to the Vatican:

"I affirm here that the Latin and imperial tradition of Rome today are represented by Catholicism. If, as Mommsen said, 25 or 30 years ago, one cannot stay in Rome without a universal idea, I think, and affirm, that the only universal idea which today exists in Rome is that which radiates from the Vatican. I am very uneasy when I see national churches being formed, because I know that there are millions of men who will no longer look to Italy and to Rome. For this reason, I offer this hypothesis: If the Vatican were to definitely renounce its temporal dreams—and it already seems to have started on this path—profane, lay Italy should furnish the Vatican with material aid; those material facilities for schools, churches, hospitals and so forth, which a lay power has at its command. For the development of Catholicism in the world, the increased millions of men who throughout the world look to Rome should be a matter of profit and pride to us who are Italians." - Benito Mussolini

"Don't rejoice in his defeat, you Men For although the World stood up and stopped the Bastard, The BITCH who bore him is in 'Heat' again." - Bertold Brecht