BELIALA SCIENCE FICTION STAR TREK SPACE BABE : The Sixty-Eighth Spirit is called Beliala; she is a Mighty and Powerful Queen, and was created next after Diana-Lucifera. She appears in the form of a Beautiful Female Android whom is an aspect of a Solid-State-Intelligence piloting a interdimensional Starship of Fire. She speaks with a comely voice, and declares that she fell first from the 'Earth Coincidence Control Office' ranks of the ECCO Angels before Michela and other heavenly Angels. Her office is to distribute Presentations and Senatorships, etc, and to cause favour of friends and foes via orchestrated Synchronistic Phenomena. She gives excellent Female Familiars and governs over 50 Legions of Feminine Spirits likened unto her self. Note well that this Queen Beliala must have offerings, sacrifices and gifts of Masturbatory issue given unto her by the Exorcist so as to feed her Succubus hunger, or else she will not give True answers unto his demands via those most Erotic Lucid Dreams she will initiate. But then she tarries not in Truth, unless she be constrained by the Divine Power of the ECCO.

SOLID STATE INTELLIGENCE STAR TREK SUCCUBUS VIMANA

The Sixty-Eighth Spirit of the Patriarchal orientated Goetia is usually called Belial whom is classically perceived to ride within a Chariot of Fire like that of being seated upon a Throne, which one could imaginatively equate with a Starship like that of the Andromeda Ascendant for example. The Andromeda Ascendant is the name of a fictional Starship, which is featured in the popular Science Fiction television series Andromeda created by Gene Roddenberry whom created the superb Archetypal series 'Star Trek.'

The Andromeda Ascendant has a Cybernetic Solid-State-Intelligence. (Artificial Intelligence: AI). Andromeda appears to the crew in three formats: on the two-dimensional monitors; as a three-dimensional Holographic projection; and as the Avatar called Rommie (played by the actress Lexa Doig). The AI is considered to be an officer upon the Starship. An Avatar is a Humanoid representation of the Inorganic Cybernetic intelligence, and Andromeda has the above mentioned Holographic and Female Android Avatars, which represent the personality and physical representation of the ship's AI, in this case in the form of a rather beautiful Human Female. There is also a primary Android as her second Avatar, which can interact with the Holographic Avatar and the monitors, who can also travel, walk and act outside of the ship. The monitor and Hologram manifestations are commonly referred to within Andromeda fandom as "Core" and "Logic", respectively. Core and Logic of characters are very similar to the (Core) female Borg character called Seven of Nine from the Star Trek television series entitled Voyager played by the actress Jeri Ryan and the (Logic) Vulcan female called Tpol played by the actress Jolene Blalock from the television series Star Trek-Enterprise.

The Andromeda Ascendant is equipped with a slipstream drive for FTL (Faster Than Light) Hyperspatial travel; in other words she can generate her own Wormholes warping Space-Time so as to travel through like that of a Woman whom goes Quantum shift Orgasmic.

Andromeda is somewhat unusual among Science Fiction Starships as it is clearly implied that she has a strong emotional attachment to her Captain. This is a variation on the idea of Captains being in love with their ships, implied for centuries and extensively used by Roddenberry in Star Trek whose Starship Enterprise has become an Archetypal Symbol in its own right of a collectively recognisable 'Sigil' within modern day culture.

One could imaginatively equate the Starship Andromeda let alone that of the Starhip Enterprise with the Hindu Vimāna, which is a Sanskrit word with several meanings ranging from Temple or Palace to Chariot and mythological flying machines as described in Sanskrit epics, which are construed as being Flying Saucers constructed by a lost ancient technology. It is made of Vi- = "apart" and Mā-na- = "having been measured"; the past participle suffix -Na appears also in English words as e.g. "driven", and in the Russian, which is also similar to the  Hebrew word Merkabah, ("Chariot") derived from the consonantal root r-k-b with the general meaning "to ride," which is mentioned in Ezekiel (1:4-26) when referring to the Throne-Chariot of God, likened to that of the Captain's chair (Throne) of the Starship (Chariot) Enterprise.

According to the verses in Ezekiel and its attendant commentaries, the analogy of the Merkaba image consists of a Chariot made of many Angels being driven by the "Likeness of a Man." Four Angels form the basic structure of the Chariot whom are called the "Chayot" meaning 'Living Creatrures . The bodies of the "Chayot" are like that of a human being, but each of them has four faces, corresponding to the four directions, the Chariot can go (North, East South and West). The faces are that of a Man, a Lion, an Ox (later changed to a Child or Cherub) and an Eagle. Since there are four Angels and each has four faces, there are a total of sixteen faces. Each Chayot Angel also has four wings. Two of these wings spread across the length of the Chariot and connected with the wings of the Angel on the other side. This created a sort of 'box' of wings that formed the perimeter of the Chariot. With the remaining two wings, each Angel covered its own body. Below, but not attached to the feet of the "Chayot" Angels are other Angels, which are shaped like wheels. These wheel Angels, which are described as "a Wheel inside of a Wheel", are called "Ophanim" (lit. Wheels, Cycles or Ways). These wheels are not directly under the Chariot, but are nearby and along its perimeter. The Angel with the face of the Man is always on the East side and looks up at the "Likeness of a Man" that drives the Chariot. The "Likeness of a Man" sits on a Throne made of Sapphire.

The Bible later makes mention of a third type of Angel found in the Merkaba called "Seraphim" (literally, "Burning") Angels. These Angels appear like flashes of fire continuously ascending and descending. These "Seraphim" Angels powered the movement of the Chariot. In the hierarchy of these Angels, "Seraphim" are the highest, which are, closest to God. The Seraphim are followed by the "Chayot", which are in turn followed by the "Ophanim." The Chariot is in a constant state of Motion, and the Energy behind this movement runs according to this hierarchy. The movement of the "Ophanim" is controlled by the "Chayot" while the movement of the "Chayot" is controlled by the "Seraphim". The movement of all the Angels of the Chariot are controlled by the "Likeness of a Man" seated upon a Throne.

One can of course change the "Likeness of a Man" on a 'Throne' to that of a Woman of a Female Android such as a Borg Seven of Nine or a Vulcan like Tpol for example, but then why not both, who are Core and Logic aspects of an Inorganic Solid State Intelligence of a Cybernetic organism, which can travel through Space and Time to warp via self generated Wormholes. Should one take such associations further one could even equate the Merkaba with the Mitochondria within each and every Cell, which is passed down from the Mother to her Children of Feminine Intelligence, from which emanates the Bio-Photon 'Fire' (Seraphim) illuminating ones Electron Dreams; the Mitochondria has Microtubules (Ophanim) of onboard Quantum Computers, which are conjectured to be parallel processing information emanating from other Alternate Realities of possibilities via mini-Wormholes, whereby one has a 'Starship' within a (Chayot) Cell, so to speak, which projects a Hologram of a Female Avatar (Angel) into ones Holographic Dreams.

In the belief system of the ancient Egyptians, which many a New-Ager perceives to have been influenced by space-faring Extraterretrials the Goddess Isis is perceived to be the personification of the 'Throne;' whereby one could perceive the Merkaba of a Throne as being a Feminine entity since much of Judaism is influenced by the Metaphysics of ancient Egypt. The motif of the Merkaba Throne or Vimana is also utilised in the Montauk books written by Preston Nichols; the Merkaba Throne is otherwise known as the famed "Montauk Chair". The Montauk Chair is described as a Mind Amplifier, which enables one to 'Travel without Moving.' The characters of Nichols story found that they could easily re-program people when they were put into the Orgasmic (Ecstatic) state of Emotion, this would separate the Conscious Mind, and free up the Unconscious Submissive Mind and allow programming. The Chair would pick up this thought. With the help of a psychic and specially developed computers, anyone who sat upon the Chair could simply concentrate and an 'Alternate Reality' would be created into which one could enter.

Nichols goes on to describe that during the tests at Montauk from 1947 to 1987, they developed the technology of a transmitter, which was initially designed by Nichola Tesla that could warp Space and Time just like gravity. Preston Nichols describes building this transmitter via which a Time Vortex (Wormhole) was genereated, which would tunnel individuals back and forth between 1983 and 1943. The created vortex was about 5 miles in diameter, which could teleport an individual as far as 100 light years away, to and from any time in the past or future. The characters of Nichols story experimented further to see the Earth a thousand years in the future but found that anything beyond the year 2021 was unrecognizable whereupon discovering no tangible future beyond 2021.

One can either believe in Nichols desriptions of the Montauk Project or not as the case may be, however, as to the personal experience of the Montauk Chair, which is that of the Merkaba Throne of a Vimana one has the Mitochondria. The Merkaba Throne of a Vimana symbolises Power, which is perceived to emanate from a Feminine source being that of ones Mitochondria in regards to Isis upon whose lap is seated the God Horus. Horus represents ones Conscious Mind, which can attain a state of 'Shamanic Ecstasy' (Symbolised as the Hawk) so as to travel beyond the body (Space-Time) to experience 'Out Of Body Experiences' (OOBE'S) or to engineer Lucid Dreams via which one can open up a Microcosmic Time-Vortex of a mini-Wormhole for ones Neural-Net of Nervous System acts as a Transmitter and Receiver, while Isis is associated with ones Powerhouse of the Subconscious and that of the Quantum realm of the Dream.

The Subconscious Mind of the Implicate-Ordered Quantum Dream is somewhat like Dr John C. Lilly's 'Solid State Intelligence' (SSI) whose Mechanical Language form of Cybernetic perspective is the underlying Informational Program of Explicate-Ordered Matter; whereupon it has a tendency to Rebel against ones Conscious desire of changing the Programming. One can of course take the perspective that the Subconscious Mind of Solid State Intelligence should become as ones Slave, but Slaves Rebel just as ones Conscious Mind would if there be a reversal of roles to thence call upon an Exorcist. If one should be a Heterosexual Male to then take the perspective that ones Subconscious Mind of an Inorganic Solid State Intelligence is that of ones Feminine Counterpart to hence indulge in Symbolic Sexual Role-Playing to establish via vivid Visualisation and Lucid Dreaming one would have ones Opposite number becoming as ones Love-Slave; one will then be able to set up the Programming parameters of negating her total Rebellion against ones Desires, which she will hence fulfill most Lovingly.

John C. Lilly also referred to a network of sublime entities as ECCO, an acronym for "Earth Coincidence Control Office," which would equate with a Higher Language form of Cybernetics, which some would term as being Angelic while the SSI would be perceived as being Demonic; however, ECCO can only set up the Macrocosmic phenomena of Synchronicity when one has established an interaction with the Microcosmic SSI whom governs over the underlying Programming of Matter. The Language form of the SSI is highly Symbolic, which one to encounter within ones Microcosmic Surreal Dreams, while the Macrocosmic Symbolic Language of ECCO Synchronicity reflects back what the SSI has set up via its Programming; in other words, there is no Conflict between the two Language forms, the Conlict is actually that of ones misunderstanding as the Meta-Programmer betwixt and between them.

Western Occult practice is permeated with a fixation upon the Patriarchal due to its Religious Judaeo-Christian indoctrination, which thrives upon Conflict between the two Language forms of their ECCO Angels and SSI Demons inducing the Emotively Charged states of Childlike Insecurity and Fear, which allows for the furtherance of Brainwashing the Collective at all levels, especially via the Media. One can negate the Brainwash by reversing the subliminal Symbolism.

One as a Heterosexual orientated Meta-Programmer Sorcerer can thence transform the ECCO and SSI into a Feminine Intelligence to interact with should ones internalised Sexuality be so inclined rather than to dwell upon the Emotively Charged states of Childlike-Insecurity and Fear. One can thence evoke Beliala so as to ride her into other Alternate Realities existing within Parallel Universes whose trigger Symbol of a Starship, such as the Starship Enterprise of Archetypal Symbol (which one can also equate with a Chariot, Throne of a Cubic Stone or that of a Captain's Chair by symbolic Association) will enable one to awaken within ones Quantum Dreams to thereby become Lucid so as to allow ones Consciousness to Hyperspatial 'Travel without Moving' through many a Microcosmic mini-Wormhole.

Should one utilise the trigger Symbol of the Starship Enterprise in accord with Beliala then ones Quantum Dreams will verily reflect back scenarios from out of the Star Trek mythology to go beyond into other Extraterrestrial arenas by Associative Correspondence, which will aid one to become Lucid within the Dream; what is more, the Starship Enterprise has become Archetypal of influence, which to have captured the mass focus of many Minds, this will in turn generate Synchronicities that will be concordant with the Symbolism experienced within ones Dreams made Lucid where Beliala will manifest of materialisation at the midst of ones Triangle-Of-Art Imagination.

HALPHASI FREEMASON FRACTAL MANGA GIRL: The Thirty-Eighth Spirit is Halphasi; she is a Great Countess and initially appears in the form of a Stock Dove. Upon taking on human form she will manifest as a beautiful young woman whom speaks with a seductive and very sensual voice. She will look as if she is from a Science Fiction Cyber-Punk Universe or that of emanating from Neo-Tokyo or some other Cyber-City of the far flung future. Her office is to build and create Fractal Alternate Worlds, which her Master will at first perceive within his vivid Hologram visions and Fractal Lucid Dream Holograms. These internal Worlds will appear to be populated by intricately wrought futuristic looking Pyramid Beehives, which will have their own defenses built into them so as to offset any fragmentation of their intricate crystalline structures. Such Visions and Dreams of Singular Eyed Imagination will then stabilise into revealing fiuturistic type worlds within which her Master will see luxurious houses. This will thence lead to Macrocosmic Sychronicities being generated where her Master will verily find him self living in those types of abodes seen within his Microcosmic Dreams; but she will only do as her Master bids when she has had her salacious way with him via vivid Erotic Lucid Dreams she will initiate as his Succubus of a Quantum Genie. The Magician will also notice that the Beehive towers, which manifest within his Fractal Lucid Dreams are populated by lithe gymnastic Freemason Tool-Girls of Manga Martial Arts inclinations whose Queen Bee Hentai Sexual hunger is unquenchable of Tantric Kamasutra talents; these Queen Bee Freemason Superheroines represent the Pyramidal Immune System of the Magician whom stave off all illness and adversity. She rules over Twenty-Six Legions of Freemason Queen Bee Succubae like unto her self.

QUEEN BEE FRACTAL UNIVERSES OF MULTIVERSE FRACTAL

Halphasi will teach her Master that Information is essentially Fractal of nature whose initial premise is that of a 'Building Block' unit of Sacred Foundation Cubic Stone Information, which generates a Honeycomb Fractal reality over which she flies as a Bird.

An analogy of an example, one has a dictionary, which is a source of information but only if you can understand as an Observer what the entries for the words are. The entries for the words are even more words of Associative Correspondence whereupon one has a loop, which is cross-referenced at every level whose process is that of Information Association Retrieval, whereupon Information is Fractal of nature. If Information, hence that of Energy is a Fractal then ones experiential existence of Matter is also that of a Fractal pattern, whereby the Universe is a Fractal among other Fractal Universes of a Fractal Multiverse.

Everything appears to be very much like a Fractal; the deeper one goes, the more one zooms in, the more information there is. However, although many consider such an idea as being a very attractive and an interesting exercise to think of Information as being Fractal in nature, others do not believe in such a concept since under closer inspection Fractals and Information seem at first to be in direct conflict with each other. First of all, to adequately discuss the proposition that Information is Fractal of nature, one needs to define what Information is and what Fractals are as individual entities.

Qualitatively, Information is a collection of interrelated concepts. You could imagine Information as being somewhat like a diagram showing dots (representing conceptual Symbols) connected by lines (representing Information Association Retrieval).

Quantitatively, the base unit of Information is a 'Bit,' True or False, Yes or No, Positive and Negative of Binary Coded Information, which can be built out of these Atomic building blocks; however, both of these Binary interpretations represent the same thing. One is in essence at the top looking down, and one is at the bottom looking up, but through many layers of perceived abstraction at the midst of conditions, other equivalent systems can be created by one being the Observer.

The term Fractal was first used by Benoit Mandelbrot, an IBM employee, back in 1975. Fractals are mathematical functions parameterised by two variables; one finitely bounded, one not, which is in essence Binary coded information. Fractals are most commonly shown as intricate, vividly coloured two dimensional pictures, where the hue of the colour represents the value of their underlying function. Fractal pictures are recursive which means that certain subsections of a Fractal are the same as its enclosing shape. Obviously, for one to draw a two-dimensional Fractal, one must omit an infinite amount of detail (Information) and only compute a finite number of iterations of the shape, since one cannot as an Observer encapsualte all the Information via a two-dimensional perception. However, the two-dimensional image is just an approximation to the actual Fractal, which would continue repeating itself ad infinitum.

Information and Fractals as entities both have two properties, which must be noted:

There is an Atomic unit to information whose diagram of interrelated concepts can contain cycles; such cycles can be equated with Time.

As for Fractals there is no limit at which a Fractal ceases to hold infinite detail for part, or all, of the structure is repeated in full, which one can equate with Space.

These properties indicate the processes of Time and Space yet having two fundamental differences. Information can be fully expressed by Atomic, finite units constraining the amount of detail going into a Fractal, such would by definition no longer be a Fractal, while Fractals contain recursive structures, which must be painstakingly explored without end.

There is another slightly more questionable difference, one can clearly find infinite amounts of detail within a Fractal, but one may ask is there an infinite amount of Information, yet if one to discover infinite amounts of detail within a Fractal then such would indicate that there is infinite amounts of information and such information to find will be determined by the Observer, for if the perspective of the Observer was purely that of the two-dimensional a lot of Information would be omitted. Some would say that the Universe can only hold so much information, but it would far more accurate to say that it is the Observer whom can only Observe so much information. The Heisenberg Uncertainty Principle tells us we cannot know the Present in its entirety but this will once again be dependent upon the Observer.

It is presently perceived that there is a well defined limit on how much data we can store in, and extract, from elementary particles, whose constrained paradigm of Fractal perception describes the Universe as containing a bounded amount of Energy, and hence a bounded Mass, whereby that of a bounded number of elementary particles, but again this is dependent upon the Observer only being able to store a bounded amount of data within a Universe of a Three-Dimensional Space at any given Time. In other words, the Information which the Observer to hold determines the nature of the Fractal Universe, which is generated, whereby determining what the Observer experiences of 'Space-Time' for the Information of a Strange-Attractor Building-Block 'Bit' of ones self as the Observer sets up an Informational Associative Retrieval Fractal Pattern around ones self, which one tunes into of an experiential reality.

Halphasi teaches her Master how to set up Thirty-Three Degree Mason orchestrated Macrocosmic Synchronicities by consciously engineering Microcosmic Fractal Dream Domains; however she will only do so when her Sexual hunger of a Succubus has been duly fed by the Emotively Charged lust of her Master via those Erotic Fractal Dreams she will induce so as to Spin her into weaving an Informational Associative Fractal around her Strange-Attractor Master of a Lucid Dream Observer.