WITCHY WILD GAAPA: The Thirty-Third Spirit is Gaapa or Gaap. She is a Great President and a Mighty Princess. She appears as a powerful Witch riding a Broomstick likened to that of the the pre-Colombian Tlazolteotl when the Sun is in some part of the Southern Signs; her human form is most beautiful to look upon to be seen going before four and mighty Queens whom be her elemental Familiars along with other following Spirits as if she is conducting them along on their way to an orgiastic Astral Sabbat. Sometimes one to hear her whisper her name as Gaap-La, which in Cantonese to mean 'Toad'. Her office is to make her Master’s Enemies insensible or ignorant; but she can also make her Master highly knowledgeable in Magickal Philosophy and its Arcane Sciences but only when she has had sexual congress with her Master via erotic Dreams she to seductively weave as Spell. She can also incite Love and Hatred as well as teaching her Master how to consecrate those things that belong to the dominion of Amayamona her Queen. She can deliver Familiars out of the custody of other Magicians and answer truly and perfectly of those things Past, Present, and to come. She can carry and re-carry her Master and others speedily from one kingdom to another instantaneously over the primeval 'Zero-Point' Creative void of the Ginnungagap at the will and pleasure of her Master’s wishes. She rules over 66 Legions of Spirits like her self and was of the Order of Potentates.

GAAPA OF THE WITCHES FLYING OINTMENT

When first evoking Thirty-Three-Degree Rune Maiden Gaapa she like her Succubae Sisters in the Hood, Succubus Spirits all will first appear amidst ones Yoni Triangle of Art Imagination as a whirling mass of associative imagery coalescing into amorphous indistinct colours, which will take on form after a time within a blink of ones visionary eye. Gaapa’s domain is principally that of the Quantum Dream where one will invariably encounter her when one attains a state of being aware within the Dream Dreaming Lucid. In ancient times Sorcerer practitioners utilised power plants in order to facilitate this process of Internal ingress into the Quantum realms of the Dream so as to contact Spirits, whereby Sorcerers would often utilise Ointments derived from said Sacred Plants; Gaapa is very much a Spirit whom is associated with the Hallucinogenic Flying Ointment of the Witches, which is also known as Witches' Flying Ointment, Green Ointment, Magic Salve and Lycanthropic Ointment that is derived from various potent hallucinogenic plants, which one to find principally growing in the Old-World of Europe.

One will find in the ancient account of Lucius Apuleius, written in 160 AD before the ascendancy of Christian political religious influence during the Middle Ages of self evident description of what one experienced when using the Witches Ointment, while other later descriptions are somewhat more vague.

Lucius Apuleius. From Golden Ass, Book III, Chapter Sixteen (160 AD):

“On a day Fotis came running to me in great fear, and said that her mistress, to work her sorceries on such as she loved, intended the night following to transform herself into a bird, and to fly whither she pleased. Wherefore she willed me privily to prepare myself to see the same. And when midnight came she led me softly into a high chamber, and bid me look through the chink of a door: where first I saw how she put off all her garments, and took out of a certain coffer sundry kinds of boxes, of the which she opened one, and tempered the Ointment therein with her fingers, and then rubbed her body therewith from the sole of the foot to the crown of the head, and when she had spoken privily with her self, having the candle in her hand, she shaked parts of her body, and behold, I perceived a plume of feathers did burgen out, her nose waxed crooked and hard, her nails turned into claws, and so she became an owl. Then she cried and screeched like a bird of that kind, and willing to prove her force, moved her self from the ground by little and little, til at last she flew quite away.”

While under the converted sandal of Constantine’s Holy Roman Empire the early European Tribes were disintegrated, assimilated, or destroyed, which was that of a slow but meticulous insidious transformation that twisted the beliefs and traditions of European Shamanism and practice of tribal Magic and Sorcery into a more sinister era of Orwellian Big-Brother Christ, watching all wherein ancient practices went Medieval underground to become Witchcraft.

During the Middle Ages the use of certain Herbs and their power to induce altered states of perception had originally been passed down from Shamanistic practice was significantly downplayed by the political body out of the Church of Rome whereby their sacred affects were invariably attributed to evil sources in the form of Lucifer, the Devil, or Satan of first Collective Mind-Control Drug Bust.

The use of Hallucinogenic plants to promote a sense of Flying, "Out Of Body Experience" in order to acquire the ability to convene with the Spiritual World, is a recurrent theme throughout the history of many ancient religious practices. The Shamans of America and those practitioners of Shamanic inclined cultures across the world share the European Witches use of specific plants to extend the normal boundaries of human experience beyond the veil of perception into the realms of the Spirits. While there are a number of recipes for Flying Ointments, there are difficulties in identifying the plants exactly for there was no universal plant classification system during the medieval era of the classical Witch; many plants share common names and thereby become confused with others, finally the chances of mistranslating from these ancient texts are high.

Despite these problems a number of plants were well known to be associated with European Witches and even the common names of some of these plants provide a clue to their ritual uses. Certain plants occur regularly in recipes for Flying Ointments and Witches Sabbath Ointments; these include:

Deadly Nightshade (Atropa Belladonna), Monkshood (Aconitum Napellus) and Henbane (Hyoscyamus Niger); others which appear include, Thornapple (Datura Stramonium), Poplar, Foxglove, Poppy, Cinquefoil, Smallage, Woody Nightshade, Hemlock, Water Hemlock, Parsley and Wild Celery (Apium Graveolens).

The ointment usually contains a fatty base into which is introduced various Herbal extracts, usually including Solanaceous Herbs containing the Alkaloids Atropine, Hyoscyamine and Scopolamine. The Herbs' essential Oils are slowly extracted by the heated bubbling fat mixed within its liquefied base swirling amidst the cauldron boiling over a low fire; these oils are highly poisonous when ingested; however, when they are moderately applied to the skin, the Alkaloids are absorbed more slowly into the body. The typical ingredients in listed Flying Ointment recipes usually include Hemlock (Conium), Deadly Nightshade (Atropa Belladonna), Wolfsbane (Aconitum), and Henbane (Hyoscyamus Niger), which are introduced into a base of animal fat. There are lurid medieval references that the fatty base was that of the fat derived from a recently disinterred dead Child mixed with Bats blood or that of a sacrificed newborn Babe; however, it is a symbolic reference to an initial 'Skin-Testing' of the plant material by a Novice who is still as an Unknowing ‘Child’ of Innocent Babe before the Mysteries in order to gauge its Toxicity before flinging their disembodied Spirit into psychedelic inner realms as a sacrifice; although there were those whom took such accounts literally; others perceive the reference of a ‘Child’ as being that of the Male ejaculation.  

It is commonly believed that Witches were able to Fly to the Sabbath on their phallic Brooms with help of the Ointment whereby the Broom became as their orgiastic Hobbyhorse travelling the Spirit roads of the Leys; such sacred Brooms were once used ritually in pre-Christian Europe to clear Spirit tracks leading to various sacred sites, which the South American Colombian Masonic Mamas of the Kogi peoples still do to this day.

Some sources have claimed that the Ointment is absorbed best through the Mucous Membranes; however the essential Oil of Henbane, for instance, blisters the Mucous Membranes, whereby it is doubtful that the Ointment was applied to the shaft of the Broomstick rubbing along the exposed open labia of the Vagina; there is only a single source, which makes such an assertion, one that is not based on knowledge of the Herbs themselves or on any historical evidence; unless there was another Herbal extract being utilised in conjunction with the Flying Ointment to facilitate deep Trance Induction.

There is a possible key to how practitioners dealt with the toxicity of the Nightshades, which are usually said to be very much part of Flying Ointments, which is through the Antidotal reaction that some of the Solanaceous Alkaloids have with the Alkaloids of Papaver Somniferum (Opium Poppy). This key is covered by Alexander Kuklin within his brief book, How Do Witches Fly? (DNA Press, 1999). This antagonism between compounds was utilised by the Eclectic movement of Botanical Medicine. For example, King's American Dispensatory, an Eclectic Materia Medica, mentions in its coverage of Belladonna:

"Belladonna and Opium appear to exert antagonistic influences, especially as regards their action on the brain, the spinal cord, and heart; they have consequently been recommended and employed as antidotes to each other in cases of poisoning; this matter is now positively and satisfactorily settled; hence in all cases of poisoning by Belladonna the great remedy is Morphine, and its use may be guided by the degree of pupillary contraction it occasions."

The antagonism between Belladonna and Poppy was utilised to induce a state of "Twilight Sleep" for women experiencing childbirth during the Edwardian era. The compound for inducing "Twilight Slee"” was a mixture of Scopolamine, a Belladonna Alkaloid, and Morphine, a Papaver Alkaloid, which was injected that delivered a combination of painkilling and amnesia for a woman in labour.

There is no actual historical evidence to indicate the proportions of Solanaceous Herbs vs. Poppy used in Medieval Flying Ointments for most of the listed recipes for Flying Ointment do not include Poppy; however, most of the Flying Ointment formulations and Herbal recipes were often than not derived from Inquisitional tortured victims during the Witch burning era whereby their overall accuracy is debatable.

The experience engendered by the interaction of the alkaloids of Nightshades and Poppy induces a Twilight-Sleep state of Hypnogogia whereby if controlled by prior ritualistic focus one can then access the Dream consciously whereby experiencing a vivid Lucid-Dream. Some practitioners have communicated that the Alkaloids of Henbane and Belladonna engender the sensation of Flying such as Out-Of-Body experiences, and that these correlate with the Medieval accounts of Witches Flying; such descriptions can be found within some of the torturers documents belonging to the Inquisition; others whom had investigated the experiences induced by Witches Flying ointments was one Johannes Hartlieb back in 1456 as well as by the Spanish Theologist Alfonso Tostado in Super Genesis Commentaria (Venetia, 1507), whose commentary tended to support the reality of the (Unguentum Sabbati) Witches' Sabbath.

A number of other written accounts are available which speak of the use of Ointments or Unguents to enable a Witch to Fly. They include; "The Book of the Sacred Magic of Abra-melin The Mage', (1458), by Abraham the Jew" and 'De Miraculis Rerum Naturalium', (1560) by Giovanni Battista Porta, (both these texts are in the British Library however access to them is officially restricted). In the account of Abraham the Jew, he is provided an unguent by a young Witch that after rubbing on the principal pulses of the feet and hands, created a sensation of Flying. Porta's account has a section which is entitled 'Laiarum Unguenta', “Witches Unguents”, in this he describes the recipe of Flying Ointments.

Abramelin The Mage. From The Book of the Sacred Magic of Abramelin The Mage (1458 AD)

The First Book of Holy Magic, Chapter VI:

“She then gave unto me an unguent...” (Flying Ointment)

"At Lintz I worked with a young woman, who one evening invited me to go with her, assuring me that without any risk she would conduct me to a place where I greatly desired to find myself. I allowed myself to be persuaded by her promises. She then gave unto me an unguent, with which I rubbed the principal pulses of my feet and hands; the which she did also; and at first it appeared to me that I was flying in the air in the place which I wished, and which I had in no way mentioned to her.

I pass over in silence and out of respect, that which I saw, which was admirable, and appearing to myself to have remained there a long while, I felt as if I were just awakening from a profound sleep, and I had great pain in my head and deep melancholy. I turned round and saw that she was seated at my side. She began to recount to me what she had seen, but that which I had seen was entirely different. I was, however, much astonished, because it appeared to me as if I had been really and corporeally in the place, and there in reality to have seen that which had happened."

 Giovan Battista Della Porta. From De Miraculis Rerum Naturalium, Book II, Chapter XXVI (1558 AD)

Lamiarum Unguenta (Witches Unguent):

"Although they mix in a great deal of superstition, it is apparent nonetheless to the observer that these things can result from a natural force. I shall repeat what I have been told by them. By boiling (a certain fat) in a copper vessel, they get rid of its water, thickening what is left after boiling and remains last. Then they store it, and afterwards boil it again before use: with this, they mix celery, aconite, poplar leaves and soot. Or, in alternative: sium, acorus, cinquefoil, the blood of a bat, nightshade (Solanum) and oil; and if they mix in other substances they don’t differ from these very much. Then they smear all the parts of the body, first rubbing them to make them ruddy and warm and to rarify whatever had been condensed because of cold. When the flesh is relaxed and the pores opened up, they add the fat (or the oil that is substituted for it) - so that the power of the juices can penetrate further and become stronger and more active, no doubt. And so they think that they are borne through the air on a moonlit night to banquets, music, dances and the embrace of handsome young men of their choice."

According to many scholars, the use of mind-altering plants in Witches' flights, such as certain species of the genus Solanum, etc, was underemphasized or even suppressed during the rise of religious influence during the Middle Ages whereby hallucinogenic plant usage was aligned with Devil worship, hence one could lose ones soul if one indulges or to be more probably burnt at the stake; it is no different within ones so called Modern Age guided by a Medieval Brainwash. The Witches brews or Ointments, with their transformative plant Alkaloids, were indeed capable of inducing at the very minimum, Hyperspatial Visionary Quantum Flights through the vast and uncharted Mind field of the night skies.

However, most of the modern day descriptions of experiencing the utilisation of these plants usually do not describe the sensation of Flying apart from the sensations of heaviness. One has to keep in mind that the complex recipes determine the chemical affects upon ones bodily system and psyche and not all are adept at taking the experience further for the sensation of heaviness is a precursor to conscious Dreaming at a deep level where one can then experience an Out-Of-Body-Experience. The utilisation of Flying Ointment does not induce an instant hit of a ready made experience whereby it demands one to prepare ones self before hand via ritualistic and ceremonial means in order to direct ones conscious intent when under the influence of the Witches Salve.

A more recent experiment in utilising the Witches Flying Ointment was conducted on the Night of the 30st April, being that of the Sacred Time of the Walpurgis Sabbath, back in 1992, by an individual who we will call Leonard, it was described as follows:

"The unguent was rubbed on the pulse points of the hands and feet, after 5 minutes, a great feeling of tiredness and coldness overcame me and I lay down, my breathing slowed and I began to feel a bit panicky that I would die, however I convinced myself that if I did go into respiratory collapse or heart failure the instructions I had left with a friend who was attending me would enable him to provide artificial respiration and call an ambulance.

My understanding of time became impossible so I could not decide how long my experiences lasted. Eventually I stopped being fearful and my mind seemed to be becoming detached from its normal state, there was still a feeling of coldness then I seemed to be floating upwards. I found myself soaring above the rooftops of London and my body was no longer human it had become amorphous like a giant squid, with its tentacles streaming behind it. With a little concentration I could change my body into virtually any shape I so desired. I seemed to be heading West and eventually came to a hillside, there I met a number of other people who informed me that the meeting place was not on this world but in the stars. I immediately shot into the sky towards a very bright star, I was not alone and as I flew towards the star many others were with me, our bodies seemed to melt into each other and I remember intense sensations of pleasure running up and down my body, which at the same time was not my body but everyone's, it's difficult to describe. Eventually I came to an enormous hall and walked upon its cold floor towards a flight of steps, either side of the hall were enormous pillars that stretched up so high I could not see a ceiling.
 
As I came to the top of the steps I saw a hooded figure of a woman, she looked at me though her face was hidden by the hood. I suddenly felt an incredible sensation of power emanating from the woman and I became very frightened. The woman began to remove her hood and through fear I averted my gaze, a voice in my head told me to look up, I did and the face of the woman shone so brightly it hurt, not just my eyes but my whole body. I then remember a sensation of falling and cannot remember anything else."

The friend who attended Leonard made notes about the experiment, these notes were as Follows:

1:  10:55 pm. Pulse 75 beats per minute, Blood pressure 110/70, Temperature 34C

2: The unguent was applied to the hands and feet at 11pm.

3: Pulse at 11:02 was 85 beats per minute.

4: 11:10, Leonard is getting very drowsy, incoherent and reports feeling cold.
   Pulse 92

5: 11:20, He has fallen sleep, pulse is 95 beats per minute and strong,
   Breathing is regular and slow.

6: 11:30, pulse 97, he feels clammy. Temp 38 degrees C

7: 12:00, Breathing is slow, long and regular, pulse 102.

The accounts from 12am until 9am were of a gradual reduction in pulse rate to normal until Leonard awoke and immediately wrote down his experiences. Apart from an intense feeling of thirst and a headache no negative effects could be discerned straight after or for a month following the experiment. The attendant who monitored Leonard reported that apart from being petrified that Leonard would die on him while his pulse just seemed to be rising and rising the first hour, nothing untoward happened.

The easy availability of many of the plants, which contain the active constituents of Flying Ointments, are a potential hazard to individuals who have a desire to experiment on themselves without little understanding of psychedelic usage. Given the lethal properties of these plants and the inability to ascertain the exact dosage, it is an activity left to the experienced Adept, trained Professional or so called foolish of Child like inquisitive Promethean mind playing around with Fire. It should be noted the internal administration of most of these plants is 'Extremely Dangerous,' this point being reflected in their external use by Witches whom can read the Minds of others by using their Psychic ability.

CATWOMAN PUSSY HAURESI: The Sixty-Fourth Spirit is Hauresi or Haures, Hauras, Havres or Flauros. She is a Great Duchess and appears at first like a Black Panther, Mighty, Terrible and Strong, whom sometimes manifests as a Black Cat; but after a while she puts on human form as a most ravishingly beautiful black woman whose eyes are flaming and fiery of green flecked flame to appear wearing a Catwoman costume wielding a terrible whip. She gives True answers of all things Past, Present and to come; but if not commanded into the Triangle of Art she will lie in all these things and deceive and beguile the Exorcist until she is given his ejaculated Cream, which she to lap up salaciously and always hungering for more to entice a furtherance of via erotic Dreams she to instigate; only then will the Exorcist become her True Master whereupon she will lastly talk of the creation of the Multiverse and how she and other Succubae enter the world and that of her origin from the mountainous region of Aures. She destroys and burns up all those who are Enemies of her Master should he so desire it whereupon she most astutely hunts his Enemies down as Rats within the astral realms; also, she will not suffer her Master being unduly tempted by any other Spirit or otherwise of malign Villianous intent. She governs 36 legions of Spirits likened to her self.

TURN OFF MUSIC: Click Lower Bottom Right-Hand Corner Speaker Icon.

WHITE RUSSIAN VASSAGORA: The Third Spirit is called Vassagora or Vassago and is a Mighty Princess. She is of the same nature as her Sister Agaresi whom manifests as a highly attractive and beautiful young woman of White-Russian Aristocratic orientation, who sometimes appears as a Slavic Bubble-Witch within a lavish and richly adorned palace amidst the snow plains of Russia. This Spirit is of good nature, and her office is to declare things Past, Present and to come, and to discover all things hidden or lost. She is adept at using the 'Crystal Ball' as well as the Tarot via which she communicates her information. Her eccentric demeanour is somewhat akin to that of a younger version of a lithe and winsome Madame Blavatsky whom has a taste for Gurdjieff Cigars and Rasputin Vodka to tell of Trans-Dimensional Multiverse Root-Races, Hidden Hyperborean 'Zero-Point-Field' Masters whom remember the ancient Great-Flood, which hit their domain of the Altai and that of an alternative version of Shamanistic Theosophy. She to only reveal such things when riding her Master within those erotic Dreams she to instigate by activating her Master’s Reptilian Crocodile Brain whereupon he to have an Out of Body Experience to take flight as an ecstatic Goshawk to fly over the Northern Cosmic Mountain under Pole-Star. This to generally happen during the season of 'Vassa' (from the Pāli: Vasso, Sanskrit: Varsah, both meaning “Rain”, Thai: Pansa or Phansaa in Burmese), also called Rains Retreat, which is the traditional retreat during the rainy season lasting for Three Lunar months from July to October.  During this time Buddhist monks remain in a single place, generally in their temples. When to evoke her one must be aware that her sexual hunger is quite insatiable, to also place Cigars and Vodka upon ones Altar near unto her Seal. She governs over 26 Legions of Spirits like her self.

CRYSTAL BALL OF THIRD EYE RANDY VASSAGORA

The Crystal Ball is said to empower the Psychic Vision of the Third-Eye, which is seen to be ones Pineal Gland, which is a vestigial Amphibian Eye, hence the reasoning for the 'Crocodile' Symbolim in regards to Vassagora. When using the Crystal Ball the Spirit of the Medium using it is said to sometimes leave her body to take flight as a Bird into the Vision, which is revealed within the Crystal Ball whereby one has a 'Gohawlk' upon Vassaogora's wrist. Whatever is revealed via Divinatory tools such as the Crystal Ball or otherwise of computer generated Divinations one has to take it with a pinch of Salt, for ones Fate is never fixed. Divination is a tool of guidance, nothing more, otherwise one will end up being ruled by it, which is a lesson Vassagora to teach.

VASSAGORA TAROT MEDITATION

When using the tool of the Tarot for Vassagora to Read one has to focus upon the Question to ask prior to the Cards being chosen while visualising Vassagora's Seal over the space to the right of her image, as well as intoning her name as a Mantra Nine times. Vassagora communicates issues via Symbols more than that of Words, whereby one has to interpret the Tarot Cards in relation to ones own understanding of the Tarot Symbolism. Words are but that of a guide, not a rule. The Symbolic language of Dreams is the same; a Symbol seen or that of a scenario experienced in a Dream does not have a rule of thumb, which is applicable to everyone, whence a Dream interpretation book of Symbols is merely a guide. One has to rely upon ones own knowledge and experience, which is the whole point of the matter, since it thereby leads to an understanding of ones own Self.