CAVE-GIRL BIFRONSI: The Forty-Sixth Spirit is called Bifrons, Bifrous, Bifrovs or Bifronsi. She is a Great Countess and appears initially as a huge Siberian Mammoth from out of the depths of the Earth, which shakes at her approach. But after the command of the Exorcist she assumes the shape of a beautiful young woman dressed revealingly in animal skins and furs riding the back of a Mammoth. Her office is to make one knowledgeable in the Star lore of the ancients and to teach the sacred Geometry of Earth alignments and Sacred Sites of Power Places as well as many another arcane art and science such as to Shape-Shift into Animal forms and that of Trance Induction for she is a powerful Shaman.

When Bifronsi enters the Dreams of her Master she will take him into her Elder-World prior to the Great-Flood brought about by the melting Ice Sheets of the Last-Ice-Age where Bifronsi will then make passionate love to him whereupon she may shift into numerous hybrid animal forms while doing so in her ecstasy. She teaches the sacred virtue of Stones, Woods and of Hallucinogenic healing Herbs to also induce visions of the age of the Giants being the time of the Great-Mammals long ago when the Ice flows eventually encroached over the Earth whose peoples knew of an Elder Civilisation. She has the habit of changing the places where dead bodies of animals to lie so as to put them in another place covered in Red-Ochre as well as also lighting seeming candles upon graves of the dead in order to protect them. She has under her command 60 Legions of Spirits like unto her self all Feminine.  

MAMMOTH MOTHER OF THE ANCESTRAL UNDERWORLD

In an area just West of Lake Baikal in Siberia one can find a most interesting locale called Mal'ta, which is an Archaeological treasure trove; the Mal’ta Archaeological site dates back to the Upper Paleolithic, which is comprised of semi-subterranean houses that were built using large Mammoth tusks to assemble the walls, and Reindeer antlers covered with animal skins to construct a roof; these well built, rigid and highly innovative structures would protect the inhabitants from the harsh elements of the Siberian weather. Much of what we now know about Mal’ta comes from a Russian Archaeologist named Mikhail Gerasimov who is widely known in the Anthropological community primarily for his contributions to a process called forensic sculpture; Gerasimov first achieved fame for his excavation of Mal’ta in 1927. Gerasimov’s Mal'ta discoveries were highly revolutionary for the field of Anthropology. Until his findings Scientists could not imagine that the Upper Paleolithic societies of Northern and Central Asia were capable of the same level of culture as those of Europe. Over the course of his career Gerasimov visited Mal’ta on two other seperate occasions for further in depth excavation and research, each time his findings, were just as remarkable.

The evidence seems to indicate that Mal'ta is one of the most ancient site in Eastern Siberia, however relative dating illustrates a number of interesting yet confounding irregularities. The use of flint flaking and the absence of pressure flaking used in the manufacture of tools, as well as the continued use of earlier forms of tools seems to indicate that the site belongs to the early Upper Paleolithic. Yet, at the same time the site lacks typical Skreblos, (large side scrapers) which are common in other Siberian Paleolithic sites. Additionally, other characteristic commonalities such as pebble cores, wedge-shaped cores, burins, and composite tools have never been found. The lack of these features, combined with a rather individual art style found in only one other nearby site, makes Mal’ta culture unique in Siberia let alone elsewhere.

There were two main types of Artistic expression during the Upper Paleolithic: Mural Cave Art, (which was mainly concentrated in Western Europe), and Portable Art. Portable Art, which is typically some type of carving such as in ivory tusk or antler, spans Western Europe into Northern and Central Asia across the Steppe. There are Artistic remains, which have been expertly carved in bone, ivory, and antler whose objects depict figurines of Birds and human females, which are the most commonly found sculptures; it is these sculptures, which are the primary source of Mal’ta’s worldwide acclaim.

One of the best examples of Paleolithic Portable Art is usually referred to as “Venus figurines”. Until they were also discovered in Mal’ta, “Venus figurines” were only previously found within Europe. Most of these female figurines are carved from the ivory tusk of a Mammoth, whose sculptural representations are highly stylized, which often involved embellished and disproportionate characteristics (typically the breasts or buttocks of the females). It is widely believed that the emphasis of these female physical features were meant to be symbols of fertility. Around thirty female statuettes of varying body shapes have been found in Mal’ta. The wide variety of body forms, combined with the superb realism of the sculptures, and the lack of repetitiveness in detail are clear signs of developed, albeit early, Art.

At first glance what is obvious is that the Mal’ta Venus figurines are of two distinct types: full figured voluptuous women with exaggerated sensual forms, and women with a thin, petite and delicate form. Some of the figures are depicted nude, while others have intricate etchings, which appear to indicate fur or clothing. Conversely, unlike those found in Europe, some of the Venus figurines from Mal’ta have been sculpted with faces. Most of the figurines were tapered at the bottom into points, and it is believed that this was done so that they could have been planted into the ground or otherwise placed upright in some other way. Placed upright they could have symbolized the spirits of the dead, akin to "Spirit Dolls," which are used world-wide by various cultures, including Siberia whose Shamans often to speak of having Spirit Wives.

The only widely known Upper Paleolithic Art from Asia are these figurines from Mal'ta. Although other examples of Paleolithic Asian Art do exist, few of it has gained much attention outside of Asia. The reason why these attract so much interest is that they appear to be nearly identical to European female figurines of roughly the same time period. The suggested similarity between Mal'ta and Upper Paleolithic civilizations of Western and Eastern Europe coincides with a long-held belief that the ancient people of Mal'ta were related to the Paleolithic societies of Europe. These similarities can be established by their tools, dwelling structures, and Art. These commonalities draw into question the origin of Upper Paleolithic Siberian people, and whether the migrating peoples originated from South Eastern Asia or quite possibly from Europe. However, there may have been an extensive trade route, which once connected Europe with the hinterland of Siberia and that the influencing factor was the other way around.

One can also argue the point that the Mal'ta statuettes are a distinctive group since they are rather different from the female figurines, which have been discovered in Western and Central Europe. For example, none of the Siberian specimens indicates abdominal enlargement, which many of the European examples do. Few of the Venus figures offer clear enough evidence of gender in order to define them as being definitely female since their breasts are often lacking. More conclusively, nearly half of the figurines show some indication of facial details, something which is entirely lacking on the so-called Venus figures of Europe. A definitive answer in regards to the origins of these peoples and their culture may never be reached by looking at their Art alone; that isn't to say that the peoples of Mal'ta made innovations of their own to go beyond the original influence or that their work is in fact that of the original source.

As well as female statuettes one also has a number of Bird sculptures, which depict Swans, Geese, and Ducks. Through ethnographic analogy, by comparing the ivory artefacts and burials at Mal'ta with sacred objects, which are also used by 19th and 20th century Siberian Shamans up to the present day; it has been suggested that these statuettes are clear evidence of a fully developed Shamanism, which may have been the original province of the Female.

There are also engraved representations upon slabs of Mammoth tusk such as a clearly discernable figure of a Mammoth, easily recognizable of form by the trunk, tusks, and thick legs, which probably indicates a deification of the Mammoth. The Wool of the Mammoth's fur also seems to be etched, by the placement of straight lines along the body of the engraved Mammoth. Another carving has three Snakes appearing on it. The three Snakes have their heads puffed up and turned to the side. It is believed by some that they are similar to Cobras, which may indicate the Three Nerve Channels running up along ones Spinal Column should one have a take of a more Esoteric perspective on the matter. 

What is intriguing is that there are traditional stories, which continue to live among the Siberian Natives that are still being passed on by the elders and storytellers to the younger generations. In one of these traditional stories told by a Dolgan elder in the Khatanga area mentions clearly woolly Mammoths, which once roamed the land; there is no doubt that there are more of such stories mentioning the woolly Mammoths, which once roamed the Tundra of Siberia to be passed on from generation to generation among Native Siberians. Khatanga is a small city in Northern Siberia and the fossil remains of woolly Mammoths in the Khatanga area have been carbon dated to be 20,000 years old.

The woolly Mammoth was a creature, which roamed around North America and Asia from 250,000 to 10,000 years ago. A separate group of the last surviving woolly Mammoths had survived till about 3800 years ago on Wrangel Island, whuch is a division between the land masses of America and Russia; the inhabitants of Wrangel Island are Native Inuit Turkic people who have lived the longest alongside woolly Mammoths. The closest living relatives of the woolly Mammoths are Indian Elephants.

Along with woolly Mammoths, the smaller in size and just as shabby, Mastodons roamed around North America. Mastodon excavation sites are located mainly in the regions below the Arctic Circle while woolly Mammoth sites are located in both within the Arctic Circle and below it. Likewise many Mastodon excavation sites predate those of the woolly Mammoth and Mastodon shared sites for millions of years. Turkic people in Asia and the Inuit people in Siberia, Alaska, Arctic Canada and Greenland have sacred artefacts made from woolly Mammoth ivory. The Native people in the US-Canadian Sub Arctic and West Coast often carve Mammoth and Mastodon ivory. The word Mammoth is derived from the Saami (Turkic Scandinavian Reindeer herders also known as Lapps) word 'Maamut,' which means from the Earth. All Turkic Nations in the Arctic came to believe that woolly Mammoths are creatures whose spirits live under the Earth's surface.

One can find the woolly Mammoth being instrumental in creating the Earth along with a Serpent as discovered at the Mal’ta site in an ancient Siberian origin myth:

“The world was originally very small - covered in water with not enough land to pasture Reindeer. People complained to the Mammoth - Heli. The Mammoth wandered about in the water and found the Serpent - Dzhabdar. She persuaded her to help dry the world to make more land.

The Mammoth plunged her tusks into the bottom of the water and brought up clay, sand, stones, these became cliffs, mountains. The Serpent wriggled behind making rivers.

Then trees grew. But the trees and cliffs grew so high they could support the sky. They argued who would get there first. Seveki - God of the Upper World (Heaven) heard them and knocked down the cliffs and seized the trees so they withered and died. Since then cliffs have crumbled and trees withered and died.”

It is interesting to note that a large proportion of ancient forests, which once thrived in Siberia to Alaska have been found under a deep layer of frozen muck. The forests did not decay, they were frozen solid along with other animals such as the woolly Mammoth's, which were suddenly caught out by a catastrophe. The ancient Siberian myth, which speaks of Seveki appears to allude to a catastrophic event that led to the demise of the forests as well as the wooly Mammoth.

The Mammoth is also the Creator Mother of the Dolgan peoples of Siberia, where she walked, rivers formed, where she lay down, a lake was left. Finally she left for the Underworld with all her children. One can gauge from the ancient Siberian myths that the woolly Mammoth and the Serpent are primarily associated with the feminine principle and that the woolly Mammoth resides under the Earth at its core.

In the Shamanistic lore of Siberia reality is divided into three planes of existence; for example, the Evenk peoples of Siberia see the universe as having three different worlds, linked by a River, which runs into the sea of the Underworld; the entrance to which is guarded by Kalir who was half Elk, half fish whom stood at the back of ones Head. (Kalir is not unlike the ancient Norse goddess Hel, who was simultaneously half alive and half dead. The name of Hel was later transformed by the Christian’s into an abode for the damned, but originally it was the realm of ones Ancestors. The name of Hel appears to be quite ancient since it is also the Siberian name of the woolly Mammoth Goddess Heli. When one Dreams ones consciousness naturally shifts towards the back of ones Head. The trick is to do this consciously so that one can attain a Lucid Dream or to do so via induced Trance.)

The Middle World, 'Dulin Buga' or 'Dunne,' was where people live. The River, Engdekit, flowers from the morning Tyman-Itki in the East and the direction to go to the Upper world, is towards the West, the Evening and Night Dolbon-Itki and the entrance to the Lower World is guarded by Kalir, half Elk half fish. To get there the Shaman goes through a (Inner Stargate/Portal) hole, this is what you see in ‘front’ of you sometimes, when ones Heart opens up (central as in Central-Nervous-System ‘Heart’ Scotoma) the Shaman brought this state on deliberately by frenziedly singing, howling and dancing in order to bring on a Trance state so that the hole will open up before him; it is through this inner Stargate that the Shaman's spirit is able to fly over the Earth as a Bird, which one can equate with an Out-Of-Body-Experience. Apart from Shamans only the dead went to Bukit in the West, the Land of the Dead on the way to the Lower world, Khergu Buga in the North. Here the spirits of the dead were welcomed by the mistress of the dead and lived in Iron yurts. Here also were the Kkhargi, half Human half animal, the tribal totems. While the Middle World was lit by the Sun, Dylacha, the Lower World of ghosts was lit only dimly by a half-Sun.

The Upper World, Ugu Buga was linked to Middle Earth by the river Engdekit, which goes through a whirlpool whereby it ascends through a hole atop of ones Head. The spirit of the Shaman can attain egress out of the body via a hole atop his head in order to visit Uga Buga. It was in Ugu Buga that the Souls (Omi) of the deceased were stored to be recycled (people had more than one Soul) to be reborn again. Above it were the worlds of the heavenly beings. There is Evelen, the Elk, the Plough constellation. There is the world of Ulgar, the Pleiades or Sieve. There is the Moon, Bega and Cholbon, the planet Venus, the morning and evening star, overall is the far South where one has Main, the creator deity.

It was the Shaman who could freely access these other realities. The name Shaman (or Chaman or Haman) is an Evenk word although others say it is Tungus, which is now an Anthropological term. Shaman means "frenzied one". Our words charm, enchant, chant, etc. are from the same origin. Women Shamans were primarily called "Utagen" which means "Hearth (or Fire) Woman" wherein one sees an association with the Hindu/Tantric concept of the Kundalini Shakti Fire Snake and indicates the original importance and probably original separate functions of the Women Shamans since there are many names for a Male Shaman. The Woman Shaman was usually seen to be more powerful than a man. This was not a profession one chooses, it chose you and each clan needed a Shaman as the Shaman protected his people from harmful spirits and other influences.

The Shamanistic perception of three levels of reality permeates magical thought, which in the Siberian practice of Shamanism is equated with the three Snakes found at Mal’ta, which are in turn associated with the Serpent Goddess Dzhabdar who makes 'rivers' whom is somewhat akin to the Hindu/Tantric Yogic experience of the Kundalini Shakti Fire Snake. The experience of the Kundalini Shakti Fire Snake ascending the Three Nerve Channels of ones spine is often described as being akin to a liquid Fire hence one has ones river. The Siberian Underworld of the Mammoth Mother is very much tied up with the later Western fixation upon ‘Hollow Earth’ theory, which has its foundation in the Tibetan myth of Agartha. The myth of Agartha is in turn based upon an ancient Shamanistic perception since Tibetan Buddhism is very much influenced by Bon-Po Shamanism whose origins emanate from Siberia.  

Agartha (sometimes Agartta, Agharti, Agarta or Agarttha) is a legendary city, which is said to reside in the Earth's core. It is related to the long held belief in a Hollow Earth, which has infatuated many of those whom follow the New-Age movement as well as being a popular subject in Esotericism.

Agartha is one of the most common names cited for the society of underground dwellers, which is associated with Underworld of the Shamans. Shamballa (also known as Shambalah or Shangri-La) is sometimes said to be its capital city, which is in fact associated with the Middle-world of the ancient Shamans. While once a popular concept, in the last century little serious attention has been paid to these conjectures and the theory is not supported by Modern science due to the fact that those who search for these places are looking in the wrong place; they are internal domains, but this does not mean that they are not real.

Ferdynand Antoni Ossendowski's 1920 book Beasts, Men, and Gods discusses Agartha. The myth of "Agartha" is also known as "Shambhala", as it was known in India, the underworld realm peopled by initiates and led by "the Masters", who are the Spiritual leaders of humanity. One could otherwise perceive these Masters as the Shamans of ones Ancestors if one desires it so although they may well turn out to manifest as Mistresses within ones Electron Dreams made Lucid of awareness.

According to Alexandre Saint-Yves d'Alveydre (1842-1909) of France, the secret world of "Agartha" and all of its wisdom and wealth "will be accessible for all mankind, when Christianity lives up to the commandments which were once drafted by Moses and Jesus," meaning "When the Anarchy which exists in our world is replaced by the Synarchy." Saint-Yves gives a "lively" description of "Agartha" in this book as if it were a place which really exists, situated in the Himalayas in Tibet. Saint-Yves' version of the history of "Agartha" is based upon "revealed" information, which was received by Saint-Yves himself through "attunement;" in other words 'Channelling.' However, the Tibetan’s themselves perceive Agartha and Shambalah as being farther North than the Himalayas, which points towards Siberia whose natives were systematically persecuted by Christian European's along with their Islamic fundamentalist kin whereby they would not be very pleased with Saint-Yves Judaeo-Christian revelations.

The myth of Shambhala figures prominently in Vajrayana Buddhism and Tibetan Kalachakra teachings and revived in the West by Blavatsky and Theosophical Society, which in turn forged Hollow Earth theory. The Kalachakra system was said to have been communicated from Shambalah of far Northern clime. As with many concepts in Vajrayana Buddhism, the idea of Shambhala is said to have an "Outer," and "Inner," and "Secret" meaning. The outer meaning understands Shambhala to exist as a physical place, although only individuals with the appropriate Karma (Open Heart Scotoma) can reach it and experience it as such. There are various ideas about where this society is located, but it is often placed in central Asia, North of Tibet. The inner and secret meanings refer to more subtle understandings of what Shambhala represents, and are generally passed on orally. Alice Bailey transformed it into a kind of extradimensional or spiritual reality. The Roerich’s see its existence as both Spiritual and Physical. As for the Spiritual one has Shamanism while the Physical is Siberia.

A most interesting panel of ivory found at the Mal’ta site as mentioned briefly before, dated to 26,000 BP, was retrieved from a Siberian cave burial; the panel is described below by the author Geoffrey Ashe:

"On one side of it, three Snakes establish its place in the Goddess network. On the other side is a design composed of lines of dots. They curve around to form seven spirals, six little ones framing a seventh that is much larger. In the large spiral the line goes around seven times, circling inward to a hole in the center. This is the first instance anywhere in the world of something destined to emerge far and wide as very strong magic indeed -- the peculiar mystique of the number seven."

"Since the spiral on the Mal’ta panel is a simple one, its role as prototype is very much a conjecture and may seem farfetched. But archaeology does not in fact offer a prototype anywhere else, and an argument in favour arises from the developed spiral’s most surprising appearance - among the Hopi of Arizona, who call it the Mother Earth symbol. In their eyes it represents a road of life that, if followed, leads to rebirth through the eternal Mother." - Geoffrey Ashe, The Ancient Wisdom.

The science of Genetics has determined that the Native American’s first came from Siberia amidst the Lake Baikal area to the Altai (Altay) region of Siberia where one also finds the Mal’ta site. The Native American's share the same genetic cradle of locale with the North-Chinese, Mongolian's and the Eurasian people's, which also also includes the Basque and the ancient Briton's such as the Welsh, Irish and Scottish who originally stemmed from Siberia. What is quite interesting is that the Hopi of Arizona have a legend, which communicates that their ancient ancestors originally lived under the Earth that one could consider to be Agartha:

“A long time ago the people were living below. There were a great many of them, but they were often quarreling with one another. Some of them were very much depraved.

They abused the women and the maidens, and that led to very many contentions. So the chiefs, who were worried and angry over this, had a council and concluded that they would try to find another place to live. So they first sent out a bird named Mótsni, to find a place of exit from this world. He flew up high but was too weak and returned without having been successful. They then sent the Mocking-bird (Yáhpa). He was strong and flew up very high and found a place of exit. Returning, he reported this to the chiefs.

In the meanwhile the chiefs had caused a great flood. Many Bálölölkongwuus came out of the ground with the water, and a great portion of the people were destroyed. When the Mocking-bird had made his report to the chiefs the latter said: "All right, that is good. We are going away from here.”

In regards to the Great Flood, which is communicated by the Hopi legend one has a Great Flood, which hit the Altai (Altay) region of Siberia from whence the Native American's had first stemmed along with other peoples of similar genetic bloodline:

“14000 BP. Deep in the Altai Mountains of Southern Siberia, about this date, a wall of water 1,500 feet high surged down the ChujaRiver Valley at 90 miles per hour. How does one deduce such a hydrological cataclysm? A. Rudoy, a Geologist at Tomsky State Pedagogical Institute, points to giant gravel bars along the ChujaRiverValley. These are not the inch-sized ripples we see on the floors of today’s rivers; these are giants measuring tens of yards from crest to crest. Only a catastrophic flood could have piled up these ridges of debris. Rudoy postulates that, during the Ice Ages, a huge Ice Dam upstream held back a lake 3,000 feet deep, containing 200 cubic metres of water. When the Ice Dam suddenly ruptured, all life and land downstream was devastated. (folger, tim, “The Biggest Flood”, Discover, 15:36, January 1994.) But other thoughts intrude: were the heaps of Mammoth Carcasses, the Siberian “IvoryIslands;” and those anomalous Stone tools mentioned earlier under Archaeology the consequences of similar Siberian Floods?” (Science Frontiers #92, March-April 1994. William R Corliss.)

The book "King of the World" by Rene Guenon also contains a description of Agartha. An early source for the belief in an underground civilizations is The Smoky God (1908) by Willis George Emerson (1856 - 1918), which claims to be the biography of a Norwegian sailor named Olaf Jansen; the book claims that Jansen's sloop sailed through an entrance to the Earth's interior at the North Pole. According to the author, he spent two years living with the inhabitants of an underground network of colonies who, Emerson writes, were a full 12 feet tall and whose world was lit by a "smoky" central Sun. Emerson claimed that their capital city was the original Garden of Eden. While Emerson does not use the name Agartha, later works such as Agartha - Secrets of the Subterranean Cities have identified the civilization Jansen claimed to encounter with Agartha, and its citizens as Agarthan.

The idea of the Hollow Earth is also used by Edgar Rice Burroughs, the creator of Tarzan, in a series of novels beginning with "At the Earth's Core" (1914). Using a mechanical drill, his heroes discover a prehistoric world 500 miles below the surface. Lit by an inner Sun, this inner Earth is called "Pellucidar" of perpetual day due to the constant light of the un-setting inner Sun. There is also an inner Moon which creates a "Land of the Dreadful Shadow" by blocking the light of the inner Sun for a portion of Pellucidar. Burroughs also makes use of the idea of openings at the poles, and has Zeppelins travelling into the interior of the Earth via these openings. Where Burroughs saw Zeppelins others now see UFO’s and underground bases populated by Nazis, Alien Greys and Reptilians of a neo-Gnostic Christian Hell without a Mammoth in sight since they have completely forgotten their Ancestors whom once lived alongside the woolly Mammoth.  

POSSIBLE NEW HUMAN ANCESTOR FOUND IN SIBERIA

Evidence of a previously unknown species of human, which lived alongside our ancestors 40,000 years ago has been uncovered in Siberia. The creature, dubbed "X-Woman" by scientists, may have been one of at least three kinds of human alive at the time; what she actually looked like is still as yet unknown, but scientists believe she was closer to modern humans than the stout and muscular Neanderthals. She could have lived as recently as 30,000 years ago and appears only distantly related to modern humans or Neanderthals, the researchers reported.

"It really just looked like something we had never seen before," Johannes Krause of the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany, told a telephone briefing.

"It was a sequence that looked something like humans but really quite different."

Writing in Nature, Krause and colleagues said they sequenced DNA from the Mitochondria, a part of the cell, which is passed down virtually intact from a woman to her children. They compared it to DNA from humans, Neanderthals and apes.

The sequence indicates the Hominin's line diverged about a million years ago from the line that gave rise to both humans and Neanderthals and that split about 500,000 years ago. That makes her younger than Homo erectus, the pre-human, which spread out of Africa to much of the world about 1.9 million years ago. Experts already know that early Homo sapiens and Neanderthals co-existed in Northern Asia and Europe for 15,000 years. The new evidence, based on DNA from a piece of finger bone found in a cave, indicates that a third species might also have been present.

"It is some new creature, which has not been on our radar screen so far," said Svaante Paabo, a colleague of Krause's who specializes in analyzing ancient DNA.

And it would have lived near to both modern humans and Neanderthals. "There were at least three ... different forms of humans in this area 40,000 years ago," Paabo said.

Krause and Paabo are careful not to name Woman X as a new species just yet. They are now working to sequence nuclear DNA; the DNA that makes up most of the genetic code, which will tell a great deal more about "Woman X".

Surviving in a harsh Ice-Age period, "X-Woman" would have hunted animals and clothed herself with furs and skins to protect against the cold.

The new find is unusual because it is based entirely on molecular evidence from DNA. It suggests the appearance of a completely new lineage of humans that emigrated out of Africa around one million years ago; that or the new human lineage had evolved independently in Siberia. Paabo and Krause said it is theoretically possible she is related to another potential third species of human, Homo Floresiensis, nicknamed the "Hobbit," which lived on an island in modern-day Indonesia about 17,000 years ago.

The team has tried without success to get DNA from Hobbit bones. Most skeletons of pre-humans have been found in warm places such as Africa, but hot, wet conditions break down DNA.

Scientists found the finger bone in Denisova Cave in the Altai Mountains of Southern Siberia. It belonged to a child, possibly aged around six, and came from a rock layer dated to between 30,000 and 48,000 years ago; but there may be more there to be yet found; the cold, dry conditions of the Altai mountains help to preserve the DNA. Stone tools also have been discovered in the area, as well as the bones of woolly Mammoths but only tantalizing fragments of human bone and teeth. Researchers have also sequenced DNA from Mammoths, which have been found frozen in Siberia and the same team has successfully sequenced DNA from Neanderthals.

The scientists, led by Dr Johannes Krause from the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany, discovered the genetic material was nothing like that of either early modern humans or Neanderthals.

Dr Krause said: "It really looked like something that I'd never seen before. It was a sequence that was similar in some way to (modern) humans, but still quite distinct."

A report on the findings appears in the on-line edition of the journal Nature.

PREHISTORIC ASTRONOMERS

"The Cave paintings in France's Lascaux region are considered by many to be the Sistine Chapel of the Prehistoric era. For years, scientists and historians have theorized about the meaning behind the intricate wall murals. They were long believed to be simple drawings by Cavemen whose most notable skills involved hunting, gathering and procreation, but new science suggests there is more to them than meets the eye. Were prehistoric humans capable of in-depth scientific knowledge? It appears that it could indeed be the case; The Vallée des Merveilles nestled high in the mountains at over 2,000 meters, below majestic Mount Bego contains 35,000 engravings of Prehistoric society. At first considered wall art, these engravings may have held a much more significant purpose to man.

The engravings of the Vallée des Merveilles are believed to have been carved by Bronze Age men between 2,500 B.C. and 1,700 B.C. Many Prehistorians once believed that early man used wall art for Hunting, Magic, Totemism, or Shamanism. Chantal Jegues-Wolkiewiez hypothesized a relationship between the way in which cave art animals were depicted and the time of year when the sun shone on specific animals in caves.

Chantal’s example case considered a Salmon with a curved lower jaw, a characteristic of post-spawned fish. During the winter, the sunlight would fall specifically on this fish, concurrent with the season in which spawning occurs. As a result of Chantal’s research, a new image of prehistoric society emerged. This society demonstrated sophisticated knowledge and devoted a large part of their time and resources to observing the sky. Paleolithic man is believed to have observed the Moon and the Sun to plan for hunting, gathering, and seasonal migrations. Many support the idea that the Lascaux was the world's first map of the sky." (National Geographic)

WU-SHU GIRL KAMIU: The Fifty-Third Spirit is Caim, Camio, Kamio or Kamiu. She is a Great President to initially appear in the form of a bird called a Thrush at first, but afterwards she puts on the shape of a most beautiful young Oriental woman to be carrying in her hand a sharp Chinese Dragon sword. She seems to answer in burning ashes, or in coals of fire. Her temperament is fiery of nature and is a good disputer and exceedingly eloquent. Her office is to give unto her Master the understanding of the Wu-Shu Martial Arts whose fighting forms are all based upon the movements of Animals to also teach him to call out their tongues so as to channel the internal Chi to empower his Dream-body, which in turn will strengthen the physiological frame.

She also teaches her Master to meditate upon the fluidity of the Waters so as still his Mind to go with the flow of his truer nature. She is highly versed in Sexual Alchemy wherefore she will engage her Master in such most often when he to vividly Dream so as to mount him to be taken in turn. She gives True answers of things to come. She was of the Order of the Valkyria whom serve Xuan-Wu-Da-Di but now rules over 30 Legions of Female Spirits Infernal like unto her self within a labyrinthine Dream school of a Martial Arts Green Jade Temple atop of Wudan Mountain.

The Chinese Dragon (spelled Long or Lung in transliteration), is a Mythical Chinese creature, which is also known of in other East Asian cultures to be classified in the West as the Oriental or Eastern Dragon. The Chinese Dragon is depicted as a long, Snake-like creature with four claws whereas the Western form of Dragon is depicted standing on two legs and usually portrayed as being Evil. The Dragon since Ancient Times has long been a potent and powerful symbol of beneficial and auspicious Good-Luck in Chinese folklore and Artistic creations.

DOUBLE HELIX DRAGON DNA AMIDST THE CELLULAR WATERS DEEP:

The Dragon is very much akin to the real world ‘Reptiles’ living in Water Amphibious. Chinese Dragons control the ebb and flow of Water within an agricultural Water-driven Society. There is a stark contrast with that of the Western version of the Dragon as its direct Opposite that has power over Fire. The Chinese Dragon encapsulates the concept of ‘Yang’ being that of the Male orientation, which is associated with the weather as the bringer of rain and Water in general. The Chinese Dragon’s Female ‘Yin’ counterpart is the Phoenix.

MITOCHONDRIAL PHOENIX FIRE WOMAN BIO-PHOTON FLAME:

It is interesting to note that the Phoenix was chosen by Aleister Crowley as that of his hidden Magickal name:

“Phoenix was Crowley’s secret name in the Ordo Templi Orientis… The Phoenix was also an ancient constellation in which Sothis, or Sirius, was chief Star…” (The Magickal Revival, by Kenneth Grant)

One could conjecture that the Phoenix is connected to the symbolism of the Eagle, however the symbolism of the Phoenix to have originally originated out of Indonesia home of the ‘Komodo Dragon’.

“Most curious to me was Grimstad and Downward’s rap on the Phoenix, beginning with the facts that ‘Phoenix’ was Crowley’s secret name in the Ordo Tempi Orientis and that the Egyptians put Sirius in their constellation of the Phoenix. Messrs. Grimstad and Downward find it significant that the bird on the other side of the Great Seal of the United States (behind the Eye of the Pyramid) is identified as a Phoenix by some heraldists (most insist that it is merely an Eagle)”. (Cosmic Trigger, by Robert Anton Wilson)

PLUMED SERPENT DRAGON ASCENDING:

However, the Deity of ‘Quetzalcoatl’ from out of ancient ‘Toltec’ Mexico appears to be somewhat akin to the ‘Phoenix’, which perhaps might indicate a primordial connection between peoples long ago.

“Quetzalcoatl (‘Feathered Snake’) Originally, an ancient Mexican local God, possibly based on a historical Priest-King; subsequently the Culture-Hero of the Toltec’s. The Aztec’s furnished him with various offices; God of the Wind, God of the Zodiac (The Feathered Snake was a Stellar Symbol) and lord of Knowledge. Born into the World by Parthenogenesis via Coatlicue (She who wears a skirt of Snakes) Aztec Goddess of Earth and Fire. He is said to have been seduced by Tezcatilipoca; whereupon he ‘Burned Himself to Death’ and was transformed into the Morning Star. He was also seen as a Moon-God who ‘Burns him self in the Sun’s Fires’ in order to Reappear in Renewed Youth. As ‘Divine Priest’; Quetzalcoatl is the counterpart of the ‘Divine Warrior’ Tezcatlipoca. He is also the Creator of the First Humans, whom he kneaded together out of the meal of the rubbed-down ‘Jewel-Bone’, mixed with his own Blood.” (Dictionary of Gods & Goddesses, Devils & Demons by Manfred Lurker)

WATER DRAGON:

Chinese Dragons are perceived as being strongly associated with Water in popular Mythological Belief and Folklore. Such Dragons are seen to be the rulers of flowing bodies of water, such as Rivers, waterfalls, Ocean or Seas. The Dragons can manifest as water spouts, tornadoes or twisters twisting over water. As the rulers of Water and that of the Weather, the Dragon can take on an anthropomorphic form to assume a humanoid guise to be dressed as a King with a Dragon head wearing a headdress.

TEMPLES OF THE DRAGON KING:

Due to this Kingly association, the Dragons are seen as being rulers over water-related weather phenomenon. In pre-modern China, various Chinese villages, which were close to rivers and that of the sea, had numerous temples dedicated to a local ‘Dragon King’. When there was a drought or that of flooding, it was often customary for the local aristocracy and government officials to have led the community in offering sacrifices as well as conducting other religious ceremonies to appease the Dragon, to either ask for the gift of rain or for its cessation.

DRAGON KINGS OF FOUR QUARTER SEAS:

The Emperor Wu-Yue in the Five Dynasties and Ten Kingdoms period was often called the ‘Dragon King’ or ‘Sea Dragon King’ due to the extensive hydro-engineering projects Wu-Yue had set up in order to tame the Waters. The Dragon is usually perceived as a symbol of Imperial Authority and Power. One to find four primary Dragon Kings, whom represent each of the four major seas: the Eastern Sea, which corresponds to the East China Sea, the Southern Sea that corresponds to the South China Sea, the Western Sea, which is sometimes perceived as being that of the Indian Ocean and beyond, and the Northern Sea, often equated with ‘Lake Baikal’ of Siberia/Mongolia.

NORTHERN DRAGON OF SIBERIAN LAKE BAIKAL:

There is an interesting correspondence in regards to the North and that of ‘Lake Baikal’ for the Northern Quarter is also associated with the Deity Xuan Wu Da Di whose influence comes from out of the Pre-History of Shamanic Times (c. 6000 BC). In relatively Modern Chinese Prehistory (c. 1200 BC) Xuan Wu Da Di was transformed into a human Warrior figure whom was depicted with Wild, unruly Black Hair and dressed in primitive clothing reminiscent of the tribal peoples of Neolithic times. However should there be a connection with ‘Lake Baikal’ we are looking at a Mongolian Shamanistic influence from out of Siberia/Mongolia.

SIBERIAN XUAN WU DA DI MARTIAL OF KATANA:

Xuan Wu Da Di is a very powerful and strong Deity whom is capable of meting out extreme punishments as well as bestowing redemptive deliverance. He is frequently symbolised by a ‘Black Tortoise’ who rules over the Northern Direction in Chinese Cosmology. He is called ‘Xuan’, which means the 'Color Black' and ‘Wu’ meaning ‘Tortoise’, whereby one has Wu ‘Tortoise’ Shu ‘Skill’, Wushu. Xuan Wu Da Di hearkens back to the ancient myth of the ‘Snake’ and the ‘Tortoise’ out of Prehistory.

WISE AS A SERPENT TORTOISE OF BODY:

Drawings have been found whose age is very ancient, which depict ‘Black Snake’ and ‘Tortoise’ together symbolising Xuan Wu Da Di. The Reptilian 'Brain-Stem' is associated with the Amphibious creatures of ‘Snake’ and ‘Tortoise’, which were very likely themselves worshipped as being representative of powerful Sorcery to aid one in overcoming one's adversaries, either temporal or otherwise of malign Spirit. During the ‘Shang’ period onward, the battle flag bearing the ‘Serpent’ (Reptilian Brain-Stem) and ‘Tortoise’ (Body) symbol of Xuan Wu Da Di was utilised by the Emperor’s Colour Guard.

THE WAY OF THE SOMBRE WARRIOR:

In Neolithic times of prehistory the (Wu) ‘Tortoise’ was also known as the ‘Sombre Warrior’ and when placed with the ‘Snake’ are symbolic totems of a powerful Shaman who battles against all evil in eternal conflict with the malign Spirits of the Invisible World. The Black Tortoise represents the feminine ‘Yin’, just as the Phoenix does while the Snake is symbolic of Masculine ‘Yang’ along with the Dragon. The ‘Yin’ Tortoise may have a symbolic connection with the ‘Turtle’.

TURTLE ISLAND:

“At last the Old Lady Toad volunteered. She had been below for a long time, until all the animals thought she had been lost, when at last she surfaced and before dying managed to spit a mouthful of Earth on the back of the Great Turtle. It was magical Earth and had the power of growth. As soon as it was big as an Island the Woman was set upon it. The two white Swans circled it, and it continued to grow, until at last it became the World Island as it is today, supported in the great waters on the back of the Turtle.” (North American Indian Mythology, author Cottie Burland, revised by Marion Wood)

MARTIAL SHAMAN KHARA KAM:

The Martial type of Shaman, among many of the Mongolian and Siberian tribes around Northern ‘Lake Baikal’ was called the Khara Kam (Black Shaman). Much of the Genetic Connections between the peoples of the America's and that of the Mongolians, North Chinese, Eastern Eurasian and even European originally emanates out of the area of ‘Baikal’ to that of the ‘Altai’ from most ancient times.

WAY OF THE WOUNDED HEALER:

The Khara Kam Black Shaman specialised in Spiritual Combat Techniques as well as being a Great Warrior who was often menacing to those around him to be perceived as being powerful in Magick, whom to have the ability of slaying enemies by raining down catastrophe upon them. The specialty of the Khara Kam Black Shaman of the Mongolian/Siberian was exorcism as well as that of saving Souls from out of the underworld realm ruled over by the Lord of Death whereupon the Khara Kam Shaman had to do battle with the Spirits of Illness and Death in order to ‘Heal’ the afflicted.

BIG DIPPER 'XUAN WU', LORD OF THE COMPASS POLE STAR:

The 'Tortoise' and 'Snake/Serpent' also have an Astronomical connection when seen together as the symbol of Xuan Wu Da Di to represent the Seven Stars of the North, called the ‘Xuan Wu’ Constellation otherwise known in the West as Ursa Major or the Big-Dipper, which points to the Pole Star of the North.

XUAN WU TAOIST IMMORTAL:

Xuan Wu is also known as ‘Zhuanxu’ who in ancient myth was said to have been born during the period of the Yellow Emperor. Xuan Wu was a crown prince in the country of Jing Le. His story is very much like that of the Buddha for he refused to be made a King to leave the worldly life of the mundane to study religion. Xuan Wu thereafter devoted the entirety of his life to the study of Taoism to eventually become one of the Immortals. The Jade Emperor, one of the Supreme Deities of the Chinese pantheon, then made Xuan Wu Lord over the Northern Heavens for Xuan Wu was perceived as being the only Deity who was powerful enough as a Black Shaman to deal with dark powers inherent in the primordial direction of the North.

KHARA KAM BLACK SHAMAN DEITY:

Talismans such as those of the 'Tortoise' and 'Serpent' conjoined were utilised for warding off Evil Spirits. Later the talisman of Xuan Wu became a method for achieving ecstatic union with the Khara Kan Black Shaman Deity.

WU DAN MOUTAIN:

Xuan Wu as Deity was primarily worshipped by the peoples of ‘Northern China’ during the Yuan Dynasty (1271-1368 BC). The Sacred Mountain of ‘Wu Dan’ is named after Xuan Wu, which is his sacred place.

TIAN OF A ONE TIME TENGRI:

Upon the tip of the Mountain at Tian Zhu Peak one can find the Golden Temple, which was built in honour of the Khara Kam Black Shaman ‘Xuan Wu’ during the Ming Dynasty (1368-1644 AD). The Golden Temple still stands until this day and is perceived as a sacred place of pilgrimage by the followers of Xuan Wu Da Di. As for Male Western Martial Arts movie enthusiasts, they to find the ‘Golden Male Child’ sitting to the right side of the Khara Kam Black Shaman Xuan Wu Da Di as he grants audiences upon his throne within the Northern abode of the Heavenly Pole Star. The principle Female character of the Manchu Warrior-Woman practitioner of Wushu out of the film ‘Crouching Tiger, Hidden Dragon’, takes place within the Martial Arts Monastery of Xuan Wu Da Di upon ‘Wu Dan’ Mountain. To the left side of Xuan Wu Da Di stands his Emerald Green Jade Daughter of 'Inorganic Feminine Intelligence' whom is highly versed in the Martial Arts of Wushu.

KHARA KAM SORCERY:

Xuan Wu Da Di as Dark Warrior of Khara Kam Black Shaman is often depicted with long, wild Black hair and dressed in primitive, tribal clothing reminiscent of a Mongolian/Siberia Shaman Coat. This manner of dress represents Xuan Wu Da Di’s primordial Shamanistic origins of an atavistic and dark, powerful nature wise in Khara Kam Sorcery.

MARTIAL ARTS OF WUSHU:

Xua Wu Da Di is a powerful Martial Deity who it is said to have sworn to kill all the Evil Spirits in the world. The Dark Lord Xuan Wu Da Di as Khara Kam Black Shaman of the North is the primary Deity of those who study the Martial arts of Wushu.

I'CHING BOOK OF CHANGES:

Classical Chinese philosophy to have originated from the 'Yi Jing' otherwise known as the I'Ching book of ‘Changes’; at its core is the theory of Tai-chi, ‘Yin’ and ‘Yang’, the Five Elements, and the Eight Trigrams and Sixty-Four Hexagrams. The Yi Jing has inspired into guiding the development of Ancient Chinese Sciences, Technical and Artistic skills, Culture, Education, Military, Engineering, Astronomy, Geography, Medicine, and Agriculture.

EIGHT TRIGRAMS OF STANCE:

The Chinese from that of the ancient Shang Dynasty to that of the present day have constantly and rigorously utilized the theory of Tai-chi, Yin-Yang, the Five Elements, and Sixty-Four Hexagrams to create Tai-chi Chuan, Bagua of Eight Trigams, Chuan, Hsing-I Chuan, etc., which are the Internal Martial Arts of specialized stance in defeating ones Opponent of ‘Petty-Tyrant’ based upon Interal Calmness.

EIGHT LEGGED MARE SLEIPNIR:

The Bagua of ‘Medicine-Wheel’ is somewhat reminiscent of the Eight-Legged-Mare Sliepnir of ancient Norse/Saxon Myth, which is sometimes depicted as an Eight Pointed Star of Rune, which is ridden by the Khara Kam Black Shaman Deity Odin/Woden of one time Odqan out of Siberian Altai.

POWER POINTS OF BODY AND EARTH:

Traditional Wushu artists have observed Human Nature in depth to have discovered the existence of ‘nexus’ power points for Acupuncture and invisible circulation paths of Meridians in the Human body to be also perceived as being applicable to the surface of the Earth (Feng Shui) whence to find Dragon-Paths crossing over the Land as a Web covering the Crystalline Egg of the Globe to discover ‘nexus’ points of Power-Places. It is over such Dragon-Paths that ones ‘Dream Body’ to fly over when to experience an Out-Of-Body-Experience or via deep Trance to Astral Travel along as well as for the disembodied Spirits to follow.

QI ESSENCE:

The Wushu practitioner can accumulate ‘QI’ otherwise known as ‘Chi’ Essence of Life and that of Internal Energy to channel into the Dan-tien centre of the Lower Abdomen. The use of ‘QI’ promotes the Strength of ones personal power. One can circulate the ‘QI around the whole body by the guidance of one's mind. One to find in the practice of traditional Wushu, one has to focus on ‘Jing’ (Vigour), ‘QI,’ and ‘Shen’ (Good Spirit).

NORTHERN CHINESE MARTIAL ART:

The Harmonious Balance of ‘Yin’ and ‘Yang’, the Five Elements, and the Eight Trigrams have become the theoretical core of the Wudang, internal Wushu Schools of the Northern Chinese Martial Art from out of ‘Wu Dan’. Most Wushu Martial Arts schools pursue the principles of training one to understand ones energy as being that of ‘QI’ so that to transform ‘QI’ into ‘Shen’ in order to return ‘Shen’ into the Internal Silence of the void whereby becoming at one with the ‘Dao’ otherwise known as ‘Tao’, of ones primordial ‘Bornless’ Wisdom. The internal Wushu style of the Northern ‘Wu Dan’ school emphasizes physical Circular Movements so as to train ones QI/Chi to focus on Shen, in favour of Softness and Calmness, which is neither that of hastiness nor of Stillness.

TO DEFEAT ONES ENEMIES ONE NEEDS SOFTNESS:

The training of an Internal Wushu Martial Artist focuses upon the development of ‘Mastering’ ones Internal Strength, so that to attain the Harmony of External Macrocosmic and Internal Microcosmic Power. When fighting Wushu style, one to stick with as to follow ones Opponent, so that to use ones ‘Soft-Strength’ to overcome the ‘External Power’ of ones Opponent to thereby absorb their QI/Chi in order to defeat ones Enemies.

ENHANCING SHEN:

In this way of Wushu, one can develop ‘Internally’ at the Microcosmic level as well as ‘Externally’ within ones Macrocosmic Reality to Empower and Enhance ones ‘Shen’ (Good Spirit) and Physical Strength. The ultimate goal of Wushu is to have Good Health and to develop a sound Human Character.

BRUTAL FORCE DOES DRAIN TO MAKE ONE FALL:

In Traditional Wushu there is an emphasis on ones ‘Shu’ (Skill) to never use ‘Brutal force’, which rapidly drains ones, QI/Chi.

ONE OF BODY AND MIND:

This is the reason why the term ‘Shu’ appears in the name of Wu-shu. When Training at a Physical method is to Practice and that of ones ‘Work’ called ‘Kung’. ‘Kung’ is the rigorous practice of basic Physical and Mental skills of repetitive set routines, and single defence or striking techniques to make as ones ‘Habitual Nature’ whereby ones Body and Mind to remember becoming as instinctually one.

XUAN WU DA DI OF WUDAN:

Traditional Chinese Martial Arts schools train their students in this way. One to find External and Internal Wushu Artists are rigorously trained in this method from one generation to the next and the reason why it is called a ‘Tradition’ so that to tap into the Deep Memories of all those who have passed before one to also build further upon as of one body. When Training one can attain a state of ‘Internal Silence’,’ whereupon ones Ancestors or that of those ancient Souls trained in the Art of Wushu can work through one as to teach; When to achieve the highest level of Wushu, one to obtain the Harmony of the External Macrocomic of ones experiential reality in Balance with ones Internal Microcosmic Power, which empowers the ‘Shen’ of Good Spirit to enhance ones healthy physical appearance whereby then to know of the Khara Kam Black Shaman Secrets of ‘Xuan Wu Da Di’ of ‘Wu Dan’.

THE ART BE SYNTHESIS:

Traditional Wushu practice was not only influenced by the Martial Arts traditions of Chinese culture but also by the Wushuists themselves who have actively synthesised Chinese traditions into the development of boxing skills and abilities, to establish potent and powerful principles of Boxing manoeuvres and strategies. The practitioners of Wushu through the ages have combined in depth observation of Consciousness and Intellectual philosophical education of the Mind as well as that of Physical Martial Skills into a system which can provide deep and profound theories for the practice of Wushu.

INTERNAL, EXTERNAL BALANCE:

As an example, from the ancient Chinese traditional cultural viewpoint on the Harmony between Heaven and that of the Human being has been gathered from a deep philosophy based upon observation of ones conscious interaction with the Universe that the Wushu Martial Artist understands as that of the relationship between ones Internal Spirit of the Microcosmic and external Macrocosmic appearance.

TOTAL AWARENESS:

One to find that the theory of traditional Wushu is very Shamanistic in outlook and that of Sorcery for the principle underlying orientation of Wushu skills emphasizes the union between that of the Internal Microcosmic level of ones Inner being and that of ones External Macrocosmic experiential Reality to thereby bring about a State of Total ‘Awareness’.

HARMONY OF ALL, ALL IN HARMONY:

Wushu practice teaches one to learn both the Internal and External aspects of one's being to bring into Harmony. Wushu training leads one to attain an Inner guidance from Inside to that of outside for it is from the Internal that the External of all Appearances and Actions to Stem from. The Physical Practice forms of ‘Movements’ of traditional Wushu expresses this attitude of the Harmony in all ‘External’ forms, which are principally driven by ‘Internal’ motivations, whether it be that of Sound, Physical appearances or of Spirit.

HARDNESS AND SOFTNESS OF KATANA BLADE:

Wushu is influenced by ancient Chinese philosophy, which has an underlying opposition to Brutal Force, which invariably leads to the draining of QI/Chi by doing so, wherefore one has to be guided by the ideals of ‘Softness’ and ‘Hardness’ so as to offset this possibility.

HOW TO BRING DOWN GIANTS TO THEIR KNEES:

Traditional Wushu focuses upon the ‘Hard’ and ‘Soft’ in ‘Combative Situations’ so that to turn a Little Force into a Big One, Slow Speed to Fast Speed, to profoundly achieve the possibility that Reacting Force can reach first so as to ‘Deflect the Momentum of a Thousand pounds with a Trigger Force of Four Ounces’ that the Khara Kam Black Shaman ‘Xuan Wu Da Di’ to have taught at ‘Wu Dan’ out of Northern ‘Lake Baikal’ Siberia arising Now as Wushu 2012 ‘Dragon’ betwixt and between Yi Jing and Mayan Calendar of 'Time-Wave' Pendulum.The 'Hardness' of the Martial Arts do move people when communicated by the 'Softness' of the World-Wide Media.

BIKER-GIRL BATHINI: The Eighteenth Spirit is Bathin or Bathini. She is a Mighty and Strong Duchess, whom appears as a sensuously dark woman of lithe form to have a wild and wanton Valkyrie biker temperament who has a tattoo of a winding Serpent upon her naked shoulder. She will often be seen to be seated upon an Iron-Horse of a Chopper-bike. She knows the virtues of various natural and chemical hallucinogens as well about narcotic herbs and aphrodisiacs for she is a dealer in such wares. She is also very knowledgeable about the value of precious stones to sometimes manifest such as apports, which she to carry. She can transport her Master suddenly from one country to the next via his Quantum Dreams, whereupon he to ride pillion behind her arse to cradle across the Hyperspatial Highways between Alternate Realities existing within Parallel Universes.

She will enable her Master to smash through the Fixated 'Picture' of one Illusory Reality into another of Maya Picture. (For example of associated aside, the Japanese word 'Honda' to mean 'One from the Base of the Fields', whereby when one to change the fixation of the Implicate Ordered Information Field of the Quantum Dream one can then affect a Leap into another Information Field of an Alternate Reality.)

At times Bathini will be seen to Shape-Shift into an Iron-Horse of Bitch Motorbike for ones Vision to Smack Up to ride. She will teach her Master to awaken within the Dream at a desired location so as to fix it to tune into a locale wherefore he will then physically appear where he desires to go should he desire it so. She will often ride into the Dreams of her Master along with those Sisters of the Dream Roads following up behind her wherefore then to demand sexual gratification of orgiastic intent which has to be fulfilled before she does anything for her Master, but once satisfied, she to become his most loving Psychic-Piston-Machine of a Sex Slave desiring more of the same to be ever bound to his thrusting Wishes. She rules over 30 Legions of Spirits like unto her self.

PARALLEL UNIVERSE PROOF BOOSTS TIME TRAVEL HOPES:

"Science fiction looks closer to becoming science fact, reports Roger Highfield, Parallel Universes really do exist, according to a mathematical discovery by Oxford scientists that sweeps away one of the key objections to the mind boggling and controversial idea.The work has wider implications since the idea of Parallel Universes sidesteps one of the key problems with Time Travel. Ever since it was given serious lab cred in 1949 by the great logician Kurt Godel, many eminent physicists have argued against Time Travel because it undermines ideas of cause and effect to create paradoxes: a Time Traveller could go back to kill his grandfather so that he is never born in the first place. But the existence of Parallel Worlds offers a way around these troublesome paradoxes, according to David Deutsch of Oxford University, a highly respected proponent of Quantum theory, the deeply mathematical, successful and baffling theory of the Atomic world.

QUANTUM PHASE SHIFT MANY WORLD TRAVEL IRON HORSE SLEIPNIR:

He argues that Time Travel shifts between different branches of reality, basing his claim on Parallel Universes, the so-called “Many-Worlds” formulation of Quantum theory.  The new work bolsters his claim that Quantum theory does not forbid Time Travel. “It does sidestep it. You go into another universe,” he said yesterday, though he admits that there is still a way to go to find schemes to manipulate Space and Time in a way that makes Time hops possible.” Many science fiction authors suggested Time Travel paradoxes would be solved by Parallel Universes but in my work, that conclusion is deduced from Quantum theory itself”, Dr Deutsch said, referring to his work on Many Worlds.

PSYCHONAUT HELL'S ANGEL VALKYRIA:

The mathematical idea of Parallel Worlds was first glimpsed by the great Quantum pioneer, Erwin Schrodinger, but actually published in 1957 by Hugh Everett III, when wrestling with the problem of what actually happens when an observation is made of something of interest - such as an Electron or an Atom - with the intention of measuring its position or its speed.In the traditional brand of Quantum mechanics, a mathematical object called a wave function, which contains all possible outcomes of a measurement experiment, “collapses” to give a single real outcome.  Everett came up with a more audacious interpretation: the universe is constantly and infinitely splitting, so that no collapse takes place. Every possible outcome of an experimental measurement occurs, each one in a Parallel Universe.

MULTIVERSE WORLD TREE MATRIX YGGDRASSILL:

If one accepts Everett’s interpretation, our universe is embedded in an infinitely larger and more complex structure called the 'Multiverse', which as a good approximation can be regarded as an ever-multiplying mass of Parallel Universes.  Every time there is an event at the Quantum level - a radioactive atom decaying, for example, or a particle of light impinging on your retina - the universe is supposed to “split” into different universes.

ALTERNATE SELVES-MAGICKAL PERSONAS OF THE GRIMNIR:

A motorist who has a near miss, for instance, might feel relieved at his lucky escape. But in a Parallel Universe, another version of the same driver will have been killed. Yet another universe will see the motorist recover after treatment in hospital. The number of alternative scenarios is endless.

THE END OF TIME BE ITS SINGULAR EYE STRANGE-ATTRACTOR OF MASTERY:

In this way, the “Many Worlds” interpretation of Quantum mechanics allows a Time Traveller to alter the past without producing problems such as the notorious grandfather paradox.  But the “Many Worlds” idea has been attacked, with one theoretician joking that it is “cheap on assumptions but expensive on universes” and others that it is “repugnant to common sense.” Now new research confirms Prof Deutsch’s ideas and suggests that Dr Everett, who was a Phd student at Princeton University when he came up with the theory, was on the right track.  Commenting in New Scientist magazine, Prof Andy Albrecht, a physicist at the University of California, Davis, said of the link between probability and Many Worlds: “This work will go down as one of the most important developments in the history of science.”

ALL IS AS AN ILLUSION, ALL BE MAYA:

Quantum mechanics describes the strange things that happen in the subatomic world - such as the way Photons and Electrons behave both as particles and waves. By one interpretation, nothing at the subatomic scale can really be said to exist until it is observed.  Until then, particles occupy nebulous “superposition” states, in which they can have simultaneous “up” and “down” spins, or appear to be in different places at the same time.

OBSERVER CREATED UNIVERSE OBSERVING IN REFLECTION:

According to quantum mechanics, unobserved particles are described by “wave functions” representing a set of multiple “probable” states. When an observer makes a measurement, the particle then settles down into one of these multiple options.  But the Many Worlds idea offers an alternative view. Dr Deutsch showed mathematically that the bush-like branching structure created by the universe splitting into parallel versions of itself can explain the probabilistic nature of Quantum outcomes. This work was attacked but it has now had rigorous confirmation by David Wallace and Simon Saunders, also at Oxford.

PARADIGM SHIFT SUBTLE BUT PROFOUND:

Dr Saunders, who presented the work with Wallace at the Many Worlds at 50 conference at the Perimeter Institute for Theoretical Physics in Waterloo, Canada, told New Scientist: “We’ve cleared up the obscurities and come up with a pretty clear verdict that Everett works. It’s a dramatic turnaround and it means that people now have to discuss Everett seriously.”

MANY AN ALTERNATE PROBABILLITY, MANY A WORLD:

Dr Deutsch added that the work addresses a three-century-old problem with the idea of probability itself, described by one philosopher, Prof David Papineau, as a scandal. “We didn’t really know what probability means,” said Dr Deutsch.
There’s a convention that it’s rational to treat it for most purposes as if we knew it was going to happen even though we actually know it need not. But this does not capture the reality, not least the 0.1 per cent chance something will not happen. 

SHAMANISM AND SCIENCE OUROBOROS OF ONE RING DRAUPNIR:

“So,” said Dr Deutsch, “the problems of probability, which were until recently considered the principal objection to the otherwise extremely elegant theory of Everett (which removes every element of mysticism and double-talk that have crept into Quantum theory over the decades) have now turned into its principal selling point.”

(Originally Reported in the Telegraph Newspaper: Monday 18 February 2008)