(The above artwork to ones left is a digital photomontage painting, which I utilised to Evoke Samigina. The ensuing Lucid Dream experiences were highly Surreal and very vivid, although shocking as to their Erotic content, which felt more real than real. She initially manifested as a huge creature occupying a great hall, which towered above me looking half human, half horse, although it be far more apt to say that the creature looked like something that H.P Lovecraft would probably envision; she then took on human form, looking like Alice in Wonderland of Shamanic traits, whom has appeared the same way ever since, whenever I Evoke her within a Lucid Dream. She is very much a Muse of Surrealist Art, although she is not for the faint of heart, for the Universes of many a Dream domain she guides one into can be quite terrifying.)

WYRD ALICE SAMIGINA: The Fourth Spirit is SAMIGINA or GAMIGIN, a Great Female Shaman of a Marchioness. She appears at first as a cracked and broken Hans Bellmer China Doll riding a rocking horse to which she is bound by chains. She will look very much like an elfin Alice in Wonderland to then assume more human form to appear as an angelic young girl at the request of the Magician whose nature is very sexual to hunger much as a Succubus desiring fellatio whence the Magician must beware for she induces Dreams most shocking. She is the one time Little-Girl Spirit whom resided within those Dolls found hanging inside the Shaman drum to know the Healing ways of the ancient ‘Siberian’ Shamans.

Samigina can find those tormented lost souls of the living as well as of the dead wherever they be and to return them to their rightful places and is a powerful Girl-Guide and protector into the Wonderlands of the Underworld in order to access Ancestral Memories. She can also take one unto the heights of Heaven via a Looking-Glass Pole-Star portal of a Vaginal Wormhole into other Parallel Universes whereby her Master is then enabled to walk Alternate Worlds to know of the Dead yet Alive for there is no Death, merely Transitions between Universes Parallel to ones own, and when to visit, one is a Ghost.

She will at times be seen when in human form to be drumming ecstatically naked with her braided hair wild and free and all serpentine and she to be Mongolian in looks born of the Altai and exceedingly beautiful to look upon. She will, sometimes manifest as a small horse that one can find in Mongolia or that of an eight-legged female centaur of an Unmarked, Marked State operator tethered to the Multiverse world tree upon whose back she will allow her Master to ride. She governs 30 Legions of hybrid Power Animals, which manifest as surreal living toys as well as numerous other playful Lost-Girl Shaman Spirits like unto herself as her inferiors.

ALICE IN WONDERLAND'S GOETIA GOING UNDER-GROUND

Vajrayogini is a Buddhist Goddess of initiation whom is also perceived as being a Dakini; Vajrayogini is often depicted drinking blood from a Kapala (skull cup) to thereby transform the negative (Sins) Karma of her devotees whose meditation practices illustrates the power of the Vajra-Yogini to purify the Buddhist practitioner’s traumatic past. It also indicates her ability to release the past pain of the group, thus showing how she can serve as a force of wiping the slate clean of Karma for the collective as well as for an individual. One could associate Vajrayogini with the Spirit Samigina whom is listed in the Patriarchal orientated Goetia to make Female of expression:

"The Fourth Spirit is Samigina, a Great Marchioness. She appeareth in the form of a little Horse or Ass, and then into Human shape doth she change herself at the request of the Master. she speaketh with a hoarse voice. she ruleth over 30 Legions of Inferiors. She teaches all Liberal Sciences, and giveth account of 'Dead Souls' that died in 'Sin.' And her Seal is this, which is to be worn before the Magician when he is Invocator, etc."

The Vajrayogini or Vajra-Yogini will often pull upon subconscious images and ideas from the mind of an individual, which will take on a dramatic form appropriate to the kind of interaction that will occur between ones self and the Vajra Yogini when one evokes her, such as via the usage of an Ouija Board of orchestrated Séance for example.

Vajrayogini is her Sanskrit name while in Chinese she is called Yújia kongxíngmu; in Tibetan: Dorje Naljorma and Wylie: Rdo rje rnal ’byor ma; overall she is the Vajra Yogini, which literally means ‘the Diamond Female Yogi’. Vajrayogini is a generic female Yidam; in a collection of her Sadhanas she is visualized in alternate forms in over two thirds of the practices devoted to evoking her presence. Her other forms include Sanskrit: Vajravarahi, Chinese:Jingang hàimu; Tibetan: Dorje Pakmo, Wylie: Rdo-rje phag-mo; English: the Vajra Sow as well as Kalika, Tibetan:Troma Nagmo; Wylie: Khros ma nag mo; Sanskrit: Krishna Krodhini; English: ‘the Wrathful Lady’ or ‘the Fierce Black One’. Vajrayogini is a Dakini and a Vajrayana Buddhist Meditation deity. As such she is considered to be a female Buddha.

One could equate Vajrayogini with ‘Samigina’ to imaginatively fuse with the character of ‘Alice’ in Wonderland into a singular Magickal personage of a Tulpa whose Psychonaut knowledge of Surreal Underworld Wonderlands Under-Bed would be on par with that of the female Nishan Shaman of Mongolian lore who specialised in the Dolbor-Ritual of Underworld journeying. She might also have dark 'Sinful' secrets of her own to reveal of broken Doll now buried, when to evoke her as an Alice of a cultural Archetype.

On 4 July 1862, in a rowing boat travelling on The ‘Isis’ from Folly Bridge, Oxford to Godstow for a picnic outing, 10-year-old Alice Liddell asked Charles Dodgson (More commonly known by his pen name, Lewis Carroll) to entertain her and her sisters, Lorina (age 13) and Edith (age 8), with a story. As the Reverend Robinson Duckworth rowed the boat, Dodgson regaled the fascinated Girls with fantastic stories of a Girl, named Alice, and her adventures after she fell into a Rabbit-Hole.

Vajrayogini guides one through the Hypnagogic Hymen veil of 'Rabbit Hole' Yoni portal into ones Dreams made Lucid of awareness she is often described with the epithet Sarva-Buddha-Dakini, meaning ‘the Dakini who is the Essence of all Buddha's’. Vajrayogini’s Sadhana, or practice originated in India between the Tenth and Twelfth centuries whose prior practices were originally derived from Shamanistic techniques. Vajrayogini Sadhana evolved from the Chakrasamvara Sadhana, whose emphasis is upon the male deity who had control over the ‘Wheel of Time’ called Chakrasamvara where Vajrayogini appears as Chakrasamvara’s Yab-Yum consort, which became a stand-alone practice of Anuttarayoga Tantra in its own right.

The practice involved a Male practitioner identifying him self with Chakrasamvara via deep meditation in order to assume the guise of Chakrasamvara and hence then became unified with the Vajrayogini of consort. One could associate the Wheel of Time with the ‘Tenth’ Tarot Card of the Wheel of Fortune as well as with the Zodiac Star Signs ringed around a ‘Thirteenth’ sign at the midst of ‘Eight’ directions. The practice of Vajrayogini belongs to the Mother Tantras, Tibetan: Ma-rgyud, class of Anuttarayoga Tantra, along with the Tantras such as Chakrasamvara and Hevajra. According to Miranda Shaw, Vajrayogini is: "inarguably the supreme deity of the Tantric pantheon. No male Buddha, including her divine consort, Heruka-Cakrasa vara, approaches her in metaphysical or practical import."

Vajrayogini is visualized as a translucent, deep Red skinned nubile nymphet of a 16 year old Girl Lolita who is depicted naked with the third eye of wisdom set vertically upon her forehead. Vajrayogini is generally pictured with the traditional items, which a Dakini has in her possession; her consort Chakrasamvara is often shown as a spear upon Vajrayogini’s shoulder, when she is in ‘solitary heroine’ form like that of a Norse Valkyrie; such Valkyries are often depicted riding Horses across the sky like that of Void-Going Dakini's.

In her form as Vajravarahi, she is known as ‘the Vajra Sow’ for she is often pictured with a sow’s head upon the side of her own while in other depictions she has the head of a sow herself. Vajrayogini is often associated with the triumph over Ignorance; the Pig is usually associated with Ignorance in Buddhism of primary Sin. As for the deeper symbolism of the Pig, which stretches forth across into the Pagan lore of ancient pre-Christian Europe, the Pig and Boar symbolised the Underworld whose power was that of recurring (Karma) Cycles of Time, which required transformation by the internal Trance and engineered Lucid Dream ingress of a Shaman who was thereby enabled to untangle its weave. Such practice was often conducted at places of power, which were perceived to be at nexus points where the paths of the Spirits intersect of woven web across the globe of the Crystalline (Diamond) body of the Earth of found Cross-Roads; it was at the mid-point of the Cross-Roads that a Barrow-Mound portal into the Underworld can be found, but in order to access such a 'Rabbit Hole' of Time-Slip one had to first become as a Spirit via Trance ingress or Lucid Dreaming practice, whose technique was symbolised as a severed Head of Skull at the midst of Cross-Bones.  

One will find such symbolism being portrayed in the severed-headed form of Vajrayogini whom is also very similar to the Indian Goddess Chinnamasta who is recognized by both Hindus and Buddhists.

Vajrayogini acts as a meditation deity, or the Yab-Yum consort of Time personified as deity in Vajrayana Buddhism. She appears within a Mandala, which is visualized by the practitioner according to a Sadhana describing a practice of a particular Anuttarayoga Tantra. There are several collections containing Sadhana associated with Vajrayogini but in one collection, the Guhyasamayasadhanamala, contains only Vajrayogini Sadhanas, which is comprised of forty-six works by various authors.

The Yidam, which a practitioner of meditation identifies with when practicing the Six Yogas of Naropa is that of Vajrayogini for she is a very important deity in Tantric initiation rites, especially for new initiates as Vajrayogini’s practice is said to be well-suited to those with strong desirous attachment to (Karma) habitual repeating patterns, and to those living in the current degenerate age, which has forgotten that Consciousness is indivisible from Time, one and the same of Chakrasamvara awareness, who is often depicted as a spear upon her shoulder.

Vajrayogini has a primary role in the advanced Tibetan Buddhist practice of Chöd, where she appears in her Kalika (Tibetan: Khros ma nag mo) or Vajravarahi (Tibetan:rDo rje phag mo) forms whom cuts away the shells of ones Ego fixation upon repeating cycles of phenomena ever recurring of habitual focus down to the core Diamond consciousness of ones Crystalline Skeletal form whereupon one becomes aware that one is generating the Cycles Of (Kala) ‘Time’ and that of the (Chakra) phenomena of Maya ‘Space’.

Vajrayogini also appears in versions of Guru Yoga within the Kagyu school of Tibetan Buddhism. In one popular system the Female practitioner worships their Male Guru in the form of Milarepa, whilst visualizing her self as Vajrayogini.

According to the Nyingma school of Tibetan Buddhism, each of the five main Tantric consorts of Padmasambhava is considered to be an emanation of 'Vajravarahi' whom bestows abilities:

Mandarava of Zahor: the emanation of Vajravarahi’s (Diamond) Body of Crystalline Earth perceived as a Dodecahedron, which also encompasses the Universe of a Dodecahedron amidst many another Dodecahedron Parallel Universe of Multiverse within which exists a myriad number of Alternate Realities. One comes to a realisation that the reality one is within is only one of many other realities. Socrates told his pupil Simmias: "My Dear Boy, the real Earth seen from above is supposed to look like Twelve pieces of skin sewed together." Some 2000yrs later, back in the 1960's three Russian scientists decided to test Socrates idea of a Dodecahedron Earth by re-examining the globe to see if any pattern should emerge linking significant places in History due to its formation of a Grid; it did. After several years of intensive research in Moscow, the scientists published their findings in Khimiyai Zhizn, the popular science journal of the then USSR Academy of Sciences, entitled: 'Is The Earth A Large Crystal?' Present Cosmologists have now determined that the Universe its self is of a Dodecahedron form.

Belwong Kalasiddhi of (North-West) India: the emanation of Vajravarahi’s Quality being that of Ecological Symbiosis and Interspecies Communication for everything is connected by a weave of web woven, which is that of the Bio-Photon Matrix of Light. One becomes aware of Auras and energy fields, which emanate from all forms whether organic or inorganic for everything is made of Light. 

Belmo Sakya Devi of Nepal: the emanation of Vajravarahi’s Mind represents the Intelligence of all things, which communicates its self via a Symbolic language system of the Quantum Dream interface. When one recognises this one can become Conscious within the Dream in order to thence experience Lucid Dreaming, which can be taken further in regards to Trance ingress for both involves one capturing the Hypnagogic state between Waking and Sleeping whereby one becomes Amphibious of awareness.

Yeshe Tsogyal of Tibet: the emanation of Vajravarahi’s Speech via which one cane Evoke associated Symbols within the awakened Microcosmic Dream of Lucidity, which in turn affects ones Macrocosmic reality. One thereby becomes aware that ones habitual Internal Dialogue repetitively evokes external situations and when one changes the focus of ones Internal Dialogue one then experiences the phenomena of observable Synchronicity.

Mangala or Tashi Kyedren of "the Himalayas": the emanation of Vajravarahi’s Activity, which is that of ones experiential reality of one of many possibilities; however there be other Alternate Possibilities of a reality just beyond the veil of what one perceives to be real of Maya whereby one can leap from one perception of Reality into another Alternate Reality via portals of Synchronicity.

A female Tulku (vehicle of emanation) who was the one time abbess of Samding monastery, which is found upon the shores of the Yamdrok Tso Lake, near Gyantse, Tibet was traditionally perceived to be a Nirmanakaya emanation of Vajravarahi (Tibetan: Dorje Phagmo). The lineage started in 15th century with the princess of Gungthang, Chokyi Dronma (Wylie: Chos-kyi sgron-me) (1422-1455). She became known as Samding Dorje Pagmo (Wylie:bSam-lding rDo-rje phag-mo) and began a line of female Tulkus in order to reincarnate Lamas. Charles Alfred Bell met the Tulku in 1920 and took photographs of her, calling her Dorje Pamo in his work of book. The current incarnation of Vajravarahi, the 12th of this line now resides in Lhasa where she is known as Female Living Buddha Dorje Palma by Chinese devotees.

One can thereby perceive Alice in Wonderland of character fused with Vajrayogini who thence to become merged into Samigina of singular Succubae dancing as a Dakini into Wonderlands underground.

It is Underground of Crystalline Matrix Symmetry within ones deep Subconscious Mind of physiological Reptilian Brain-Stem drives that one will find the motivation for many of ones already formulated Actions; should one be unaware of such deep seated drives one will often repeat ones Actions over and over again especially when one has been imprinted of Program by an emotionally Traumatic episode in ones life. One can set up the necessary conditions to achieve ones dream job or to meet ones Soul-Mate but if one has an underlying childhood Trauma of being a failure or to be undesirable of love interest one will invariably find that one trips ones self up in order to validate how one perceives ones self deep down, whence to then lose ones Job and Love; in other words one ends up creating ones own personal Hell.

When one evokes Samigina it is for the purpose of transforming such underlying traits generating cyclic repeats of experience, which reflect back ones deeper psychological Programming; because of this Samigina is also that of Vajrayogini, hence one can combine the two as one. As for Alice, she has become the archetype of the Wonderlands found Underground of Under-World whereby one can thence fuse all three perspectives together for much of ones initial programming of imprinted neural net is derived from Childhood experiences especially in regards to ones Emotive Charge of Sexuality.

Vajrayogini takes the initial Goetia description of Samigina somewhere other of far more expansive explorations to thereby replace mundane ‘Sin’ with the Science of 'Karma;' however the word Sin was originally derived from the Sumerian-Babylonian Moon God Sin whose cult site was that of the Ziggurat of UR and as one to know the Moon marks out the Cycles of Time; this be more so in regards to the Feminine Menstrual Cycle whereby 'Sin' was originally a Female deity whom Cyclically bleeds while a Male does not; thereby when united with Alice-Samigina-Vajrayogini via Lucid Dreaming a Male practitioner can understand the Cyclic Wheel of Time and that of Eternal Recurrence, which is the (Habitual) Karma of Lead to transform into (Right Action) Dharma of Gold, should the practioner desire to engage him self in such Alchemy in order to transmute the ancestral (Karma) Reptile residing within him into a (Dharma) Dragon.

 A poem, which describes Reptilian-Brain-stem drives was written by Lewis Carroll. entitled, "How Doth the Little Crocodile." The poem appears within his novel, Alice's Adventures in Wonderland; it is recited by Alice in Chapter 2. The poem describes a crafty Crocodile of Karmic Reptilian-Brain-Stem habit, whom lures little fishes into his mouth with a welcoming smile:

"How doth the little Crocodile
Improve his shining tail,
And pour the waters of the Nile
On every Golden scale!
How cheerfully he seems to grin,
How neatly spreads his claws,
And welcomes little fishes in
With gently smiling jaws!"

 The story of Alice in Wonderland was not unlike the initial 'Tale' Reverend Dodgson had spun for the ears of his doting Muses before, but this time Alice Liddell asked her admiring Golden Crocodile of shining 'Tail' Dodgson to write it down for her; he promised to do so but he did not get around to the task for some months due to the fact he enjoyed taking photographs of many another undressed little Girl whom were nearing the age of consent.

While Dodgson was taking his photographs of Nymphs to pin down as his butterflies, child prostitution flourished under the Victorian's whose trade in virgin Girls was especially profitable. In 1885, the age of consent for a Girl was thirteen years of age and there were numerous thriving brothels amidst Jack the Ripper's smog laden London, which openly catered for men who liked very young Girls. Child prostitution was also the affliction of many of the cities throughout the America's and Europe during the Victorian era. Neither those who bought nor those who sold saw anything wrong with taking the virginity of a child, indeed, in the days before antibiotics, having sex with virgins was one way of avoiding sexually transmitted infections such as Syphilis, which was but a continuance of practice since Biblical times.

The reformer William Stead set into motion a political campaign in order stop the Sin of rich men from preying on impoverished young Working-Class Girls, although Upper-Class little rich Girls were also preyed upon too, or that of being married off to far older men whom had financial influence, which many an aspiring Middle-Class Victorian Girl sought to become the wife of. Bought or abducted from her parents, a young virgin could be worth a high price. Rebecca Jarrett, the reformed prostitute who helped Stead expose the trade in children, said of one client whom she had provided with a young virgin: "A gentleman paid me £13 for the first of her." That would be the equivalent of more than £900 in today's money. Such sums gave the men who could afford to pay them total power over the Girls. In response to his critics, the Conservative MP Cavendish Bentinck, who loved playing 'Checkers' with peoples lives said cynically: "It is nonsense to say it is rape, it is merely the delivery as per contract of the asset virginity in return for cash down."

Dodgson eventually presented Alice with the manuscript of 'Alice’s Adventures Under-Ground' in November 1864. In the meantime, Dodgson had decided to rewrite the story as a possible commercial venture to have his work published for the consumption of the literate Upper and Middle-Classes since the majority of the Working-Class was iliterate, nor could they afford books while to sojourn within their imprisoning overcrowded slums whose traumatic conditions afflicted many whom did not live beyond the age of thirty, hence they married while still young. Working-Class children were often the abused Slave fodder of Satanic mills and sweat-shop factories or that of becoming an army of traumatised chimney sweeps whom ended up being consumed by flesh-eating cancerous sores; such was the dire backdrop of a hellish reality around Dodgson whom sent the manuscript of 'Under-Ground' to a friend, the author George MacDonald, in the spring of 1863. The MacDonald children read the story and loved it, and this response probably persuaded Dodgson to seek a publisher. The work was eventually re-titled and published as 'Alice’s Adventures in Wonderland', with illustrations by John Tenniel; the book was published in 1865, under the pen name Lewis Carroll. A second "Alice" book, 'Through the Looking-Glass and What Alice Found There', followed in 1871. In 1886, a facsimile of Alice’s 'Adventures Under-Ground' of original manuscript, which Dodgson had gifted to his Muse Alice Liddell, was published.

Aside from the traumatic conditions of an industrial Hell to which the Working-Classes were consigned to of Sinful underbelly belonging to the Victorian era whose prim and proper Christian morality was but a Jack the Ripper facade; the publication of Alice's Adventures in Wonderland has over time inspired numerous conjectures as to its Shamanic overtones and that of Hallucinogenic references to various substances being consumed by Alice in the story, which appear to induce Altered-States-of-Consciousness of growing small and large of Awareness. During the Psychedelic era of the Hippie 60's to 70’s Alice was very much of an Avatar of Surrealist Muse for the use of Mind-Altering substances in order to expand ones Consciousness into exploring 'Parallel-Universe' Wonderlands through Looking-Glass Wormholes of prior ‘Stargate’ traveller into the Multiverse 'Matrix' of the Quantum Dream.

Limited Edition Art-Print of the Art-Work Above is Availible.